Kansas-born Pauline Benton (1898-1974) was encouraged by her father, one of America's earliest feminist male educators, to reach for the stars. Instead, she reached for shadows. In 1920s Beijing, she discovered shadow theatre (piyingxi), a performance art where translucent painted puppets are manipulated by highly trained masters to cast coloured shadows against an illuminated screen. Finding that this thousand-year-old forerunner of motion pictures was declining in China, Benton believed she could save the tradition by taking it to America.

Mastering the male-dominated art form in China, Benton enchanted audiences eager for the exotic in Depression-era America. Her touring company, Red Gate Shadow Theatre, was lauded by theatre and art critics and even performed at Franklin Roosevelt's White House. Grant Hayter-Menzies traces Benton's performance history and her efforts to preserve shadow theatre as a global cultural treasure by drawing on her unpublished writings, the recollections of her colleagues, the testimonies of shadow masters who survived China's Cultural Revolution, as well as young innovators who have carried on Benton's pioneering work.

Grant Hayter-Menzies is a biographer and historian specializing in the lives of extraordinary and unsung heroes of the past, notably the role of animals in times of war. He is the author of thirteen books, including Muggins: The Life and Afterlife of a Canadian Canine War Hero, Woo: The Monkey Who Inspired Emily Carr, Dorothy Brooke and the Fight to Save Cairo’s Lost War Horses, and From Stray Dog to World War One Hero: The Paris Terrier Who Joined the First Division. He is also literary executor of playwright William Luce. For more information, visit grantmenzies.wixsite.com/author.

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