Fred Wah’s career has spanned six decades and a range of formal styles and preoccupations. Scree collects Wah’s concrete and sound poetry of the 1960s, his landscape-centric work of the 1970s, and his ethnicity-oriented poems of the 1980s. Fred was a founding member of the avant-garde TISH group, which helped turn Canadian poetry, in the West in particular, to a focus on language. He has said that his “writing has been sustained, primarily, by two interests: racial hybridity and the local.”

Most of Wah’s early work is out of print. This collection allows readers to (re)discover this groundbreaking work. The volume contains:
Lardeau (1965)
Mountain (1967)
Among (1972)
Tree (1972)
Earth (1974)
Pictograms from the Interior of B.C. (1975)
Loki Is Buried at Smoky Creek (1980)
Owner’s Manual (1981)
Breathin’ My Name with a Sigh (1981)
Grasp the Sparrow’s Tail (1982)
Waiting for Saskatchewan (1985)
Rooftops (1988)
So Far (1991)

The collection has been organized according to a chronology of composition (rather than a chronology of original publication): this reveals new connections and thematic trajectories in the body of work as a whole, and makes the book an eminently “teachable” volume. The book includes full-colour facsimiles of two early books, Earth and Tree, reproduced to show the "hands-on" object-based aspect of chapbook publishing.

Born in Swift Current, Saskatchewan in 1939, celebrated Canadian poet Fred Wah was raised in the interior of British Columbia. He is the author of over 20 published works of poetry and prose-poetry, including the award-winning creative non-fiction Diamond Grill, the tenth anniversary edition of which was released in the fall of 2006. Other notable titles by Wah include his book of poetry Waiting For Saskatchewan (Turnstone Press), winner of a Governor General’s Award in 1985, and Faking It: Poetics and Hybridity, winner of the Gabrielle Roy Prize for Writing in Canadian literature. In 2008, he published a collection of poetic image/text projects titled Sentenced to Light (Talonbooks), and in 2010, he won the Dorothy Livesay BC Book Prize for poetry for is a door (Talonbooks).Fred Wah was one of the founding editors of the poetry journal TISH. After graduate work in literature and linguistics at the University of New Mexico in Albuquerque and the State University of New York in Buffalo, where he worked with Robert Creeley and Charles Olson, he returned to Canada. He has been involved in teaching internationally in poetry and poetics since the early 1960s. In 2011, Wah became Canada's Parliamentary Poet Laureate, the fifth poet to do so. In 2013, he was made an Officer in the Order of Canada. Fred Wah currently works and lives in Vancouver.

Fred Wah's profile page

Jeff Derksen is a founding member of Vancouver’s writer-run centre, the Kootenay School of Writing, and worked as an editor of Writing magazine. His work has been anthologized in East of Main and Verse: Postmodern Poetry and Language Writing. As an editor, Derksen also organized “Disgust and Overdetermination: a poetics issue,” for Open Letter and “Poetry and the Long Neoliberal Moment” for West Coast Line. Derksen’s poetry and critical writing on art, urbanism and text have been published in Europe and North America. Formerly a research fellow at the Center for Place, Culture and Politics at the City University of New York, he currently works in the English Department at Simon Fraser University. He collaborates on visual art and research projects (focusing on urban issues) with the research collective Urban Subjects. Derksen’s Down Time won the 1991 Dorothy Livesay Poetry Award at the BC Book Prizes. A selection from Dwell — “Host Nation, Host Society”—was nominated for inclusion in The Gertrude Stein Anthology of Innovative North American Poetry: 1993.

Jeff Derksen's profile page

• Joint winner, One of the best 75 books of (CBC Books)

“The book is gorgeous, … attempting to keep as close as possible the integrity of the original publications into a single volume. The resulting volume – shift of image, colour and font – is a breathtaking accomplishment that does far more than simply replicate a selection of thirty years of writing and publishing, but work[s] to present some sense of what those early publications might have felt like in their original forms …”
—rob mclennan’s blog

"This is surely the best poetry book of the year! It is so important that this work is being done, both the writing and the editing." – Phil Hall, BookThug

"This is surely the best poetry book of the year! Such care and thoroughness have been taken here to let each important early publication keep its style and colour and format. This is a heavy book full of some of the lightest, halest experimental poetry in Canada. It is so important that this work is being done, both the writing and the editing."
– Phil Hall, BookThug

“Scree, a handsome and expansive collection containing almost thirty years of Wah’s poetry, is both an introduction to and overview of the writer’s powerful but understated literary oeuvre. … As his body of work expands over time, so does its breadth and insight, even as the author breaks, disrupts and refines poetic form. Like the mountain that is a recurring image throughout Wah’s work, the vistas of Scree are both subtle and breathtaking…”
—Malahat Review