From award-winning writer Bertrand Laverdure comes Readopolis, a novel translated by Oana Avasilichioaei.
It's 2006 and down-and-out protagonist Ghislain works as a reader for a publishing house in Montreal. He's bored with all the wannabe writers who are determined to leave a trace of their passage on earth with their feeble attempts at literary arts. Obsessed by literature and its future (or lack thereof), he reads everything he can in order to translate reality into the literary delirium that is Readopolis--a world imagined out of Chicago and Montreal, with few inhabitants, a convenience store, a parrot, and all kinds of dialogues running amok: cinematic, epistolary, theatrical, and Socratic.
In the pages of Readopolis, Laverdure playfully examines the idea that human beings are more connected by their reading abilities than by anything else. Funny and sardonic, whimsical and tragic, this postmodern novel with touches of David Foster Wallace and Raymond Queneau portrays the global village of readers that the Internet created, even before the 2.0 revolution.

Bertrand Laverdure is an award-winning poet, novelist, literary performer, and blogger. His poetry publications include Rires (2004) and Sept et demi (2007). He has written four well-received novels, Gomme de xanthane (2006), Lectodôme (2008), J'invente la piscine (2010), Bureau universel des copyrights (2011). Lettres crues, a book of literary correspondence with Quebecois author Pierre Samson, was published in the fall of 2012. Most recently, he published a YA poetry collection, Cascadeuse (2013). Awards include the Joseph S. Stauffer Prize from the Canada Council for the Arts (1999), and the Rina-Lasnier Award for Poetry for Les forêts (2003). Les forêts was also nominated for the Emile-Nelligan Award for Poetry (2000), while Audioguide was nominated for the Grand Prix du Festival International de Poésie de Trois-Rivières (2003), and Lectodôme for the Grand Prix littéraire Archambault (2009). Find Laverdure on his blog, http://technicien-coffeur.blogspot.ca/, follow him on Twitter @lectodome, or connect with him on Facebook https://www.facebook.com/bertrand.laverdure.

Oana Avasilichioaei's previous translations include Wigrum by Quebecois writer Daniel Canty (2013), The Islands by Quebecoise poet Louise Cotnoir (2011) and Occupational Sickness by Romanian poet Nichita Stanescu (2006). In 2013, she edited a feature on Quebec French writing in translation for Aufgabe (New York). she has also played in the bounds of translation and creation in a poetic collaboration with Erín Moure, Expeditions of a Chimæra, (2009). Her most recent poetry collection is We, Beasts (2012; winner of the QWF's A.M. Klein Prize for Poetry), and her audio work can be found on Pennsound. She lives in Montreal. Learn more about Avasilichioaei at www.oanalab.com.

Bertrand Laverdure's profile page

Oana Avasilichioaei's previous translations include Universal Bureau of Copyrights by Bertrand Laverdure, Wigrum by Quebecois writer Daniel Canty (2013), The Islands by Quebecoise poet Louise Cotnoir (2011) and Occupational Sickness by Romanian poet Nichita Stanescu (2006). In 2013, she edited a feature on Quebec French writing in translation for Aufgabe (New York). she has also played in the bounds of translation and creation in a poetic collaboration with Erín Moure, Expeditions of a Chimæra, (2009). Her most recent poetry collection is We, Beasts (2012; winner of the QWF's A.M. Klein Prize for Poetry), and her audio work can be found on Pennsound. She lives in Montreal. Learn more about Avasilichioaei at www.oanalab.com.
Ingrid Pam Dick (aka Gregoire Pam Dick, Mina Pam Dick, Jake Pam Dick et al.) is the author of Metaphysical Licks (BookThug 2014) and Delinquent (Futurepoem, 2009). Her writing has appeared in BOMB, frieze, The Brooklyn Rail, Aufgabe, EOAGH, Fence, Matrix, Open Letter, Poetry Is Dead, and elsewhere, and has been featured in Postmodern Culture; it is included in the anthologies The Sonnets (ed. S. Cohen and P. Legault, Telephone, 2012) and Troubling the Line: Trans and Genderqueer Poetry and Poetics, (ed. TC Tolbert and Tim Trace Peterson, Nightboat, 2013). Her philosophical work has appeared in a collection published by the International Wittgenstein Symposium. Also an artist and translator, Dick lives in New York City, where she is currently doing work that makes out and off with Büchner, Wedekind, Walser, and Michaux.

Oana Avasilichioaei's profile page

• Winner, Governor General's Literary Award for Translation

“Readopolis is a stylistically ebullient interrogation of the effect that literature has on the readers who consume it.” —Quill & Quire

“In Readopolis, Oana Avasilichioaei has risen to and matched the stylistic acrobatics of Bertrand Laverdure’s Lectodôme. The many voices of Quebecois writing sing through in this intelligent translation – a vertiginous ode to the pure, if rarely rewarded, pursuit of literature.” —Jury Citation for the Governor General's Literary Awards, Translation

"With Readopolis, Laverdure has created a beautiful, humorous jumble of a book." —Montreal Review of Books

"Readopolis is at times a panorama of Montreal literary culture, at times a condemnation of the precarity and banality of cultural economies, at times a rich homage to friends and to hope, as well as to the wonders of the act of reading itself." —Tarpaulin Sky