In a narrative sown with rural folklore and superstition, Pearly Everlasting is an enchanting woodland Gothic about the triumph of good over evil and the forgotten beauty of the natural world.

New Brunswick, 1934. When a cook in a logging camp finds an orphaned baby bear, he brings it home to his wife, who names the cub Bruno and raises him alongside her newborn daughter, Pearly Everlasting.

During the Great Depression, amidst severe poverty and dangerous work conditions, Pearly’s family and the woodsmen form a close-knit community that embraces the tame, young bear in their camp.

But when a new camp supervisor—who increasingly endangers the lives of the loggers for profit—arrives, he is less accepting of Bruno. When the supervisor is found dead, Bruno is blamed, and soon after is kidnapped and sold to an animal trader. Pearly, now a teenager, has no choice but to find Bruno and sets off on a hazardous solo journey through the forest—her first trip to “the Outside”—to rescue him.

To make her way home again, Pearly will have to tramp more than fifty miles through ice and snow, elude the malevolent spirit of Jack in the Dark and confront the modern-day cruelty of villagers fearful of her family’s way of life. Over those harrowing miles, Pearly will discover what it really means to be family to a bear.

Tammy Armstrong grew up in St. Stephen, New Brunswick and lived in Vancouver, BC for several years, where she earned a BA and an MFA from the University of British Columbia. She currently lives in Fredericton, New Brunswick. Armstrong has two books of poetry published with Anvil Press: Unravel and Bogman's Music (a Governor General's Literary Award nominee). Her poems have appeared in the following publications: The Antigonish Review, Event, The Fiddlehead, Grain, The Malahat Review, Pottersfield Portfolio, Prairie Fire, Room of One's Own, subTerrain, TickleAce, and Zygote. “A Proper Burial for Song Birds” placed third in the League of Canadian Poets' National Poetry Contest, Vintage 2000. “If In a Marriage to a Car Salesman” and “Clam Bake 1974” were performed on International Women's Day 2000 at the National Art Gallery.

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