Pacific Northwest Coast Native Art in Marquetry
- Publisher
- RAVEN PUBLISHING INC
- Initial publish date
- Nov 2017
- Category
- Native American, Native American Studies, Woodwork
-
Paperback / softback
- ISBN
- 9781775131601
- Publish Date
- Nov 2017
- List Price
- $31.95
Classroom Resources
Where to buy it
Description
This beautiful book serves as a stunning introduction to people interested in using marquetry, also called painting with wood veneers, to recreate Pacific Northwest Coast Native Indian art style designs.
Those who know of this art form may be interested in re-creating their designs using wood veneers. Readers will learn about the skills and techniques of marquetry using the “window method” and cutting wood veneers with a knife. Pacific Northwest Coast Native Art in Marquetry demonstrates how marquetry (whether using the saw or knife for cutting veneers) can be adaptable to any subject in addition to Pacific Northwest Coast Native art. Cutting exercises are included, as well as step-by-step instructions to complete the Blue Hummingbird picture in the Nuu-chah-nulth nation’s style. Also included are four other Pacific Northwest Coast Native art designs by Jim Gilbert and directions about how to reproduce them in marquetry.
About the author
Paul Dean was born, raised and studied in the geology and landscapes of Newfoundland and Labrador. As a professional geologist, Dean has had a diverse career in geological research, mineral exploration, public service and public education. He is the former Executive Director of the Johnson GEO CENTRE, a world class geological interpretation centre in St. John's, focusing on the geological wonders of Newfoundland and Labrador. Dean served as Assistant Deputy Minister of Mines and Deputy Minister of Environment and Conservation. Paul Dean is also a story writer, a story teller and an advocate for traditional music and dance of Newfoundland and Labrador. He has been a regular performer at the annual March Hare literary festival for the past fifteen years. Some of his stories have been published in the Newfoundland Quarterly and The March Hare Anthology. He has strong roots in rural Newfoundland and continues to spend good times in Placentia Bay, where he was born, as well as in Trinity Bight and Notre Dame Bay. Most of his stories are based in small communities in these parts of rural Newfoundland.