"There was nothing but parties in Hogan's Alley," a black musician named Austin Phillips reminisced in 1977, "Night time, anytime, and Sundays all day. You could go by at 6 or 7 o'clock in the morning and you could hear the juke boxes going, you hear somebody hammering on the piano, playing the guitar, or hear somebody fighting."

The black ghetto of Hogan's Alley was just one of the ethnic neighbourhoods that made the historic Strathcona district the most cosmopolitan and colourful quarter in Vancouver for over a hundred years. Home to Chinatown, Japantown, the Loggers' Skid Row and Little Italy among others, it had been the city's first residential neighbourhood but became the refuge of the city's working and immigrant classes when better-off Vancouverites migrated westward around 1900. By the 1950s planners had declared it a slum slated for demolition, but in the 1960s residents united in a spirited defense that guaranteed Strathcona's survival and revolutionized city planning across Canada.

It had long been known that some of Vancouver's best stories lurked behind the closed doors of the Strathcona district (rock legend Jimi Hendrix spent part of his childhood living there with his grandmother, who is interviewed in this book.) Between 1977 and 1978, Strathcona writers Daphne Marlatt and Carole Itter undertook to open those doors and collect 50 oral histories representing the best of the stories. First published in 1979 as a double issue of the journal Sound Heritage, Opening Doors has been celebrated as one of the best books about Vancouver you couldn't obtain for love nor money. To help mark Vancouver's 125th Anniversary, Harbour is republishing this underground classic as a Raincoast Monograph richly illustrated with vintage photographs.

Daphne Marlatt was born in Melbourne in 1941 and spent much of her childhood in Malaysia before emigrating to Canada in 1951. Marlatt was at the centre of the West Coast poetry movement of the 1960s, studying at the University of British Columbia and with many of Donald Allen’s New American Poets, most notably Robert Creeley and Robert Duncan. Much of her postmodernist writing would be attuned to the adjustments, struggles, and accomplishments of immigrants. While Marlatt attended UBC (1960–1964), her literary associations with the loosely affiliated Tish group encouraged her non-conformist approach to language and etymological explorations.She was a co-founding editor of two literary magazines: periodics and Tessera. She co-edited West Coast Review, Island, Capilano Review, and TISH. In 2004 she was appointed as the first writer-in-residence at Simon Fraser University in three decades. She directed the Fiction stream of the Banff Writing Studio from 2010 – 2012.Her early writing includes prose narratives on the Strathcona neighborhood of Vancouver and of the former Japanese-Canadian fishing village of Steveston, and several poetry books. Selected Writing: Network is a collection of her prose and poetry, published in 1980. More of her writing can be found in The New Long Poem Anthology: 2nd Edition (2000), edited by Sharon Thesen. Daphne Marlatt’s This Tremor Love Is (2001) is a memory book – an album of love poems spanning twenty-five years, from her first writing of what was to become the opening section, A Lost Book, to later, more recent sequences.Marlatt has been a featured poet on the Heart of a Poet series, produced in conjunction with Bravo! TV. Her recent work includes The Gull, the first Canadian play staged in the ancient, ritualized tradition of Japanese noh theatre, and winner of the prestigious 2008 Uchimura Naoya Prize.In 2006, Marlatt was appointed to the Order of Canada in recognition of a lifetime of distinguished service to Canadian culture. In 2009, she was awarded the Dorothy Livesay Prize for Poetry, for her innovative long poem The Given, and in 2012 she received the George Woodcock Lifetime Achievement Award.

Daphne Marlatt's profile page

Carole Itter is an award-winning sculptor and author. Her
writing has been featured in various anthologies and literary magazines including in Room of One's Own and Brick.

Carole Itter's profile page

"Human recollection is a notoriously selective, subjective, fickle thing. But it would be hard to evoke the past more directly, with a more natural blending of everyday detail and overarching attitudes, than the first-person accounts of Opening Doors do. The fact that much of what is recalled here has since slipped from living memory makes this fascinating collection all the more worth saving."

-Brian Lynch, Georgia Straight

Review: Opening Doors revives Strathcona's rich past

Opening Doors in Vancouver's East End: Strathcona