Of the Subcontract is a collection of poems about computational capitalism, each of which was written by an underpaid worker subcontracted through Amazon.com’s Mechanical Turk service. The collection is ordered according to cost-of-production and repurposes metadata about the efficiency of each writer to generate informatic typographic embellishments. Those one hundred poems are braced between two newly commissioned essays; the whole book is threaded with references to Jean-Jacques Rousseau, Wolfgang von Kempelen and the emerging iconography of cloud living.

Of the Subcontract reverses out of the database-driven digital world of new labour pools into poetry’s black box: the book. It reduces the poetic imagination to exploited labour and, equally, elevates artificial intelligence to the status of the poetic. In doing so, it explores the all-too-real changes that are reforming every kind of work, each day more quickly, under the surface of life.

'The first "computers" were people, hired to do the tedious work of creating accounting systems and tax roles for the administration of newly created bureaucratic structures in post-Revolutionary France. Of the Subcontract presents the poems of their descendants. While this imaginative project extends a line of conceptualist practice that shows us how forms of aesthetic expression take root in the broader culture and what the continuum of amateur and professional work is, it also shows us how poetic acts, like other modes of production, conceal the contradictions and inequities of labour and value in a global world.'
– Johanna Drucker, artist, author and Bernard Breslauer Professor of Bibliography, UCLA

'In an expanded field of writing Nick Thurston is changing the literary landscape. Unlike Francis Alÿs’ workers, who were moving mountains in the desert by shoveling sand, Thurston’s underpaid writers are moving (one spadeful at a time) Robert Smithson’s heap of language from one place to another, leaving us with language to be looked at / things to be read.'
– Kenneth Goldsmith, poet and founding editor of Ubu Web

Nick Thurston (b. 1982) is the author of two books, one chapbook, one pocketbook, and co-author of two more pocketbooks, the latest of which is being translated into French, German, Italian and Spanish. He has been an Associate and Visiting Lecturer at various art academies in the UK since 2007, and in September 2012 joined the faculty of the School of Fine Art, History of Art and Cultural Studies at the University of Leeds.

His print and sculptural works are held in public and private collections around Europe including the Van Abbemuseum (Eindhoven), Leeds City Art Gallery and The Bibliothèque nationale de France (Paris). His bookworks are collected by the V&A (London), Tate (London) and MoMA (New York) amongst other institutions. He has exhibited in shows at Denver Museum of Contemporary Art, Les Halles (Porrentruy), Toulouse Museum of Contemporary Art, The Laurence Sterne Museum (Coxwold), Whitechapel Gallery (London) and Bury City Art Gallery amongst other venues.

Commissioned interviews and reviews with/by him for periodicals like Afterall (London), BOMB (New York) and The Iowa Review can be found in print and online. His poetic writings have been anthologised in collections including Against Expression (Northwestern UP) and The Unexpected Guest (Liverpool Biennial & A / B Publishing), and recent essays by him include book chapters, peer-reviewed articles and journalism.

In early 2015, the Electronic Poetry Center (University of Buffalo and University of Pennsylvania) made the most comprehensive sample archive of his poems, short writings, interviews and book extracts (2006-2014) yet compiled digitally available for free. During 2016 he is Visiting Research Fellow at the Center for Programms in Contemporary Writing, dpt. English, University of Pennsylvania.

Since 2006 he has been co-editor of the independent artists’ book publishing imprint information as material (York), with whom he was Writer in Residence at the Whitechapel Gallery (London) 2011-12. In 2014 he was an Artist in Residence at the Irish Museum of Modern Art (Dublin).

Nick Thurston's profile page

McKenzie Wark (they/them), awarded the 2019 Thoma Prize for writing in digital art, is the author of A Hacker ManifestoGamer Theory, and The Beach Beneath the Street. Wark's correspondence with Kathy Acker was published by Semiotext(e) as I'm Very Into You.

McKenzie Wark's profile page

Darren Wershler is the author or co-author of ten books, most recently The Iron Whim: A Fragmented History of Typewriting (2007) and, with Bill Kennedy, apostrophe (2006). The former senior editor of Coach House Books, Wershler is an assistant professor of communication studies at Wilfrid Laurier University, faculty at the Canadian Film Centre Interactive Art and Entertainment Program, and a research affiliate of the IP Osgoode Intellectual Property Law & Technology program.

Steve McCaffery is the author of over twenty-five books of poetry and criticism. He has twice been awarded the Gertrude Stein Award for innovative poetry and twice shortlisted for the Governor General’s Award. His poems have been published in more than a dozen countries. A long-time resident of Toronto, he is currently the David Gray Professor of Poetry and Letters, University at Buffalo.

Darren Wershler's profile page