What if there is no 'space,' only a permanent, slow-motion mystic takeover, an implausibly careening awning? Nothing is utopian. Everything wants to be. Soft Architects face the reaching middle. If architecture is the language of concrete and steel, then Soft Architecture needs a vocabulary of flesh, air, fabric and colour. It's about civic surface and natural history. It's about social space and clothing and urban geography and visual art, and some intersection of all these. This delectable book collects the rococo prose of Lisa Robertson, the ambulatory Office for Soft Architecture. There are essays on Vancouver fountains, the syntax of the suburban home, Value Village, the joy of synthetics, scaffolding and the persistence of the Himalayan blackberry. There are also seven Walks, tours of Vancouver sites - poetic dioramas, really, and more material than cement could ever be. Soft Architecture exists at the crossroads of poetry, theory, urban geography and cultural criticism, some place where the quotidian and the metaphysical marry and invert. The most intriguing book you'll encounter this year. 'We say, on almost every page and with utmost reverence, Holy shit. . . . Ever since, we have wanted to think like Robertson, write like her, maybe even be her.' - The Village Voice, listing it as a top pick of 2004 'She plucks a subject (object) from the quotidian and banal in order to move through it, uncovering layers of the historical, the lyrical, and the political. The result feels somehow psychedelic.' - The Stranger

Lisa Robertson is a Canadian poet, essayist and novelist who lives in France. Born in Toronto in 1961, she was a long-time resident of Vancouver. She has published nine books of poetry, most recently Boat (2022), and two books of essays, Nilling (2012) and Occasional Work and Seven Walks from the Office for Soft Architecture (2003). Her 2021 book Anemones: A Simone Weil Project (If I Can’t Dance, Amsterdam), an annotated translation of Weil’s 1942 essay on the troubadour poets and the Cathar heresy, is the most recent outcome of wide rime, her ongoing study of medieval troubadour culture and poetics. She has been a visiting poet and professor at Princeton University, University of Cambridge, U East Anglia, UC Berkeley, UC San Diego, Piet Zwart Institute, Simon Fraser University, American University of Paris, Naropa, and California College of the Arts. In 2017 she was awarded an Honorary Doctorate in Letters by Emily Carr University of Art and Design, and in 2018 the Foundation for the Contemporary Arts in New York awarded her the inaugural C. D. Wright Award in Poetry. Her novel The Baudelaire Fractal was shortlisted for the 2021 Governor General’s Award for Fiction and has been published in French, Swedish, and Turkish translations. A second novel, Riverwork, is forthcoming from Coach House Books.

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