Although he had a short career, German philosopher Friedrich Nietzsche was a prolific writer, publishing seventeen books in the span of seventeen years. Convinced that “style must live,” he focused obsessively on a wide variety of factors that could potentially affect readers’ uptake of his work, from the craft of preface writing to punctuation choices to the aesthetics of book jackets.

Nietzsche as Stylist traces the emergence of the philosopher’s idiosyncratic writing style as he experimented with various rhetorical approaches. Introducing a contextual and historical sensibility to readings of Nietzsche’s published and unpublished works – as well as his correspondence, his journal entries, and other documents he interacted with, such as reviews of his work – the book highlights how Nietzsche’s style evolved in relation to his life and world. Martine Béland situates his writings within contemporaneous debates about the professionalization of academia: by resisting what he felt was an anti-philosophical climate, Nietzsche developed a synesthetic and performative style, hoping that his philosophical ideas could engage diverse readers in multiple ways.

Through careful stylistic and contextual analysis, Nietzsche as Stylist explores how Nietzsche cultivated skills as a rhetorician and a writer to bring philosophy into a wider field of attention, thought, and experience.

Martine Béland is associate professor and vice-president, academic and research, at Université Sainte-Anne.

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"A brilliantly composed and well-researched study that tracks an elusive aspect of Nietzsche’s writings. That the question of style should become a critical concern for a philosopher is the motivation behind this marvelously written and informative study. In a modicum of chapters, Béland builds her case [ranging] expertly over a wide variety of texts demonstrating Nietzsche to have been an innovative stylist ([including] a fascinating excursus on Nietzsche's use of the dash). Highly recommended." Choice

“In the last few decades, there has been relatively little scholarly attention placed on rhetoric in Nietzsche’s writing. Nietzsche as Stylist rights this oversight by re-centring Nietzsche's rhetoric into philosophical discussions of Nietzsche's work. It will be especially welcomed by rhetoric, communication, and literature theorists.” Simon Lambek, University of the Fraser Valley

“Béland writes with admirable clarity about the significance of style and rhetoric in Nietzsche’s diverse and experimental modes of writing.” Martha K. Woodruff, Middlebury College