New Canadian Realisms gathers writing by celebrated scholars and artists from both Canada and the US in order to explore what this much-debated genre might be doing for political performance in Canada today. Topics range from Hollywood's influence on the look and feel of the contemporary Canadian "real," to the power and the pitfalls of a "realism of redress" in intercultural Canadian theatre, to the apparently oxymoronic notion of "devised" realism, to the complexities of Indigenous realism(s). Together, this book's authors suggest that Canada's theatrical realisms are, like so much else among us, fractious, multiple, difficult, yet rife with potential.

Roberta Barker is Associate Professor of Theatre at Dalhousie University and the University of King’s College. She is the author of Early Modern Tragedy, Gender and Performance, 1984–2000: The Destined Livery. Her work on early modern and modern drama in performance has been published in Early Theatre, Modern Drama, Shakespeare Quarterly, and Shakespeare Survey, among other journals and essay collections, while her articles on contemporary Atlantic Canadian theatre have appeared in Canadian Theatre Review and Theatre in Atlantic Canada.

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Kim Solga is Associate Professor of English at the University of Western Ontario, the author of Violence Against Women in Early Modern Performance: Invisible Acts, and co-editor of Performance and the City and Performance and the Global City. Her work on Canadian performance has appeared in Canadian Theatre Review, The Drama Review, Theatre Journal, and Theatre Research in Canada, as well as in several essay collections.

Kim Solga's profile page

• Commended, Patrick O’Neill Award