R.U. Singh has always known he is destined to live the life of an English country squire. After a few false starts, in Bombay, Thunder Bay, and Toronto, he settles into a comfortable existence as a small-town Ontario lawyer, much solicited for the diversity he lends committees and conclaves. But?lest he forget?he is accepted only at the whim of his woman in white, a commanding university administrator, and by her whim can also fall. Mr. Singh Among the Fugitives sends up the multicultural aspirations of Canadian identity, pokes fun at our glitterati, and, tongue firmly in cheek, issues a warning: be careful who you pretend to be.

Stephen Henighan is the author of four books of fiction, including the novel The Places Where Names Vanish (Thistledown 1998) and the short story collection North of Tourism (Cormorant 1999), which was selected as a `What's New What's Hot` title by chapters.indigo.ca. His short fiction has been published in more than thirty journals and anthologies in Canada, Great Britain and the United States, and has been taught in university courses in Canada, the U.S. and France.

Henighan's literary journalism has appeared in The Times Literary Supplement, the Globe and Mail, the Montreal Gazette, the Ottawa Citizen and many other publications. He has published scholarly articles on literature in major international journals such as The Modern Language Review, Comparative Literature Studies and the Bulletin of Hispanic Studies.

Lecturer in Spanish at University College, Oxford and Lecturer in Hispanic Studies at Queen Mary and Westfield College, University of London, Stephen Henighan has also taught English as a Second Language in Colombia and Moldova, and Creative Writing at Concordia University, the Maritime Writers` Workshop and the University of Guelph. He currently teaches Spanish-American literature and culture in the School of Languages and Literatures at the University of Guelph.

Stephen Henighan's profile page

The bite in Henighan's satire comes from his observation that Mr. Singh has come to exactly the right place: The CanLit establishment, after all, is still very much stuck in the 19th century. The mandarins of culture rule over what is symbolized with a cosy garden party that Mr. Singh crashes by stepping through a hedge... "What makes Henighan's satire work is its measured tone and ambiguity. His representation of the cultural elite as lazy and complacent, corrupt and entitled, greedy, hypocritical, privileged and vindictive, is unmistakably fierce, but it's presented in a reserved manner that allows for subtle moral shadings." -- Alex Good, Toronto Star, 15 April 2017