Contemporary Indigenous theatre in Canada is only thirty-three years old, if one begins counting from the premiere of Maria Campbell’s Jessica in Saskatoon and the establishment of Native Earth Performing Arts in Toronto. Since those contemporaneous events in 1982, the Canadian community of Indigenous theatre artists has grown and inspired one another.Medicine Shows: Indigenous Performance Culture traces the work of a host of these artists over the past three decades, illuminating the connections, the artistic genealogy, and the development of a contemporary Indigenous theatre practice. Neither a history nor a chronicle,Medicine Shows examines how theatre has been used to make medicine, reconnecting individuals and communities, giving voice to the silenced and disappeared, staging ceremony, and honouring the ancestors.

Yvette Nolan is a playwright, dramaturge, and director. In 1996, she was the Aboriginal Writer-in-Residence at Brandon University, where she wrote the first draft of Annie Mae’s Movement. Her other plays include BLADE, Job’s Wife, Video, the libretto Hilda Blake, and the radio play Owen. She is also the editor of Beyond the Pale: Dramatic Writing from First Nations Writers and Writers of Colour and co-editor of Refractions: Solo and Refractions: Scenes. She was the president of Playwrights Union of Canada from 1998–2001, and of Playwrights Canada Press from 2003–2005. Born in Prince Albert, Saskatchewan to an Algonquin mother and an Irish immigrant father, raised in Winnipeg, Manitoba, she lived in the Yukon and Nova Scotia before moving to Toronto.

Yvette Nolan's profile page

• Short-listed, City of Saskatoon and Public Library Saskatoon Book Award