A chilling psychological thriller, Little One is the haunting story of adopted siblings Aaron and Claire—one the definition of normal, the other deeply disturbed and unpredictable—and the strange lives of their neighbours, a man and his mail-order bride.

In Other People’s Children, wealthy young power couple Ben and Ilana hire Sati, a live-in nanny, to care for their baby daughter, but Sati ends up being more than a caretaker, exposing the fragility of Ben and Ilana's marriage. Is she filling the holes of their relationship, or widening cracks that will shatter their family?

High school is hard, especially for Neyssa, who is not from a privileged family like her best friend Bijou. When the two get into a physical fight at school, they must confront what’s really bothering Neyssa. In This World looks at what friendship means to two teenage girls from vastly different social backgrounds, while dealing with racism, class, and reputation.

Hannah Moscovitch is an acclaimed playwright, librettist and TV writer. Her work for the stage includes East of Berlin, This Is War, Little One, The Russian Play, Infinity and What a Young Wife Ought to Know. Her plays have been widely produced across Canada, as well as in the United States, Britain, the Netherlands, Greece, Austria, Australia and Japan. Hannah’s music-theatre hybrid, Old Stock: A Refugee Love Story (co-created with Christian Barry and Ben Caplan) has toured internationally, garnering a New York Times Critics’ Pick and over fifty four- and five-star reviews. Hannah’s operas with Lembit Beecher, Sky on Swings and I have no stories to tell you, have been produced at Gotham Chamber Opera / the Metropolitan Museum of Art and Opera Philadelphia. She has been honoured with numerous accolades, including multiple Dora Mavor Moore Awards, Toronto Theatre Critics Awards, Fringe First and Herald Angels Awards, the Trillium Book Award, the Nova Scotia Masterworks Arts Award and the prestigious Windham-Campbell Prize. She has also been nominated for a Drama Desk Award, the international Susan Smith Blackburn Prize and twice for the Siminovitch Prize. Recently, Hannah debuted her first confessional work for the stage, Secret Life of a Mother (co-created with Maev Beaty, Ann-Marie Kerr and Marinda De Beer) at the Theatre Centre in Toronto. Hannah is a playwright-in-residence at Tarragon Theatre in Toronto and lives in Halifax.

Hannah Moscovitch's profile page

[Little One is] a psycho thriller, in fact, but a witty, smart and insidious one that owes more to Roman Polanski than to A Nightmare on Elm Street.

The Globe and Mail

Hannah Moscovitch is our most competent playwright, and that's not faint praise.

National Post