Seventeen years ago, Isobel was murdered at the tender age of nine. Now she finds herself back in her previous life as a ghost searching for the person responsible for her untimely death. But this time she’s powerful, having the ability to watch over the living, observe them, and sometimes interact with them. Isobel has been paying attention to her former neighbours, and it’s not long before she begins to suffer along with them during their dark and horrific private experiences. Will she finally get the peace she’s been yearning for? One of Judith Thompson’s most enduring plays, Lion in the Streets looks at the inner emotional turmoil in ordinary people and the ways in which they cope.

Ali Joy Richardson is a playwright, director, and producer. Originally from Dartmouth, Nova Scotia, she has been Artistic Producer of Toronto’s Paprika Festival for young artists, was a director in residence with Canadian Stage’s RBC Emerging Artists Program, and a playwright in Nightwood Theatre’s Write from the Hip unit. She is a book writer and director with Education Arts Canada (creating touring musicals about mental health for preteens) and directed In Real Life (Nick Green & Kevin Wong) for Sheridan College’s Canadian Music Theatre Project. Ali has created multiple hit fringe shows including her solo show Roxy about an unorthodox motivational speaker/self-defence coach. She lives, bikes, and works in Toronto.

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“This script is so harsh that it makes you feel like you’ve been stripped, beaten, and abandoned, and so compassionate that it releases floods of grief and gratitude with its touch.”

Colin Thomas, Georgia Straight

“Poetic, painful, powerful… Writing this strong is celebrated and revisted for a reason.” —Matt Tenbruggencate, Spectator Tribune