Louis Cabri is author of The Mood Embosser, which was awarded the 2002 book of the year by Small Press Traffic (San Francisco), and â??that canâ??t (forthcoming). He edited, from Philadelphia, the poetsâ?? newsletter PhillyTalks and co-edited, from Ottawa/Calgary, hole magazine and books. He teaches literary theory, Canadian and US modern and contemporary poetry, and creative writing at the University of Windsor.

Fred Wah has been involved with a number of literary magazines over the years, such as Open Letter and West Coast Line. Recent books are the biofiction Diamond Grill (1996), Faking It: Poetics and Hybridity (2000), a collection of essays, and Sentenced to Light (2008), a collection of poetic image/text projects. He splits his time between the Kootenays in southeastern B.C. and Vancouver.

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Louise H. Forsyth has always loved performance and theatre. As an amateur lover of the stage, she has acted, sung, danced, written, directed, produced, translated, stage managed, served as props manager, and hung out as much as she could as spectator. Woven into an amateur obsession with theatre has been her professional life, where she wrote two theses on the classic French writer of theatrical comedy, Molière, taught courses and supervised theses in theatre, drama, and dramatic literature, wrote scholarly studies about French and Québec playwrights, and theorized about acting and dramatic writing. Her areas of academic specialization are feminist performance and dramaturgy in Québec. Along with her passion for what the women of Québec have written for theatre, she has been engaged for quite some time with developing theories of dramaturgy and acting au féminin, along with revealing the sources of tenacious sexism in the practices and conventions for doing theatre, for studying and evaluating it, and for recounting its history. In short, she has been wondering for quite some time why womenâ??s roles have tended to remain stereotypical in works for stage, TV and film, why theatre done by womenâ??when its perspective is explicitly derived from a womanâ??s point of viewâ??is still easily dismissed with a summary shrug as deserving only condescending scorn, why womenâ??s theatrical experimentation is so rarely discussed by scholars as serious theoretical work or used by them in their own theoretical reflections, and why the silence of critics on women and their richly creative activities has not yet been overcome when it comes to their accounts of theatre history.

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Karl E. Jirgens, head of the Department of English at the University of Windsor, has taught at the universities of Toronto, York, Guelph, and Laurentian. Since 1979, he has served as editor-in-chief of Rampike, a critically acclaimed international journal of art and writing. Jirgens’s fiction, performance works, poetry, and scholarly articles are published worldwide.

Christopher Dewdney has served as writer-in-residence at Trent, Western, and York universities. Featured in Ron Mann’s film Poetry in Motion with William Burroughs, Allen Ginsberg, Michael Ondaatje, and Tom Waits, Dewdney has presented his groundbreaking poetics across North America and Europe. He also creates acoustic and visual art, along with incisive arts commentary for print,

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Nicole Markotic is a poet, novelist, and critic. Her poetry books include Bent At the Spine (BookThug), Minotaurs & Other Alphabets, and Connect the Dots (Wolsak & Wynn); her novels are Yellow Pages (Fitzhenry & Whiteside) and Scrapbook of My Years as a Zealot (Arsenal Pulp Press). She has edited a collection of poetry by Dennis Cooley, By Word of Mouth, co-edited (with Sally Chivers) an anthology of essays concerning representations of disability, The Problem Body: Projecting Disability on Film, is working on a critical book on disability and literature (McFarland & Co), and has an edited collection of essays on Robert Kroetsch (forthcoming with Guernica). She has published in literary journals in Canada, the USA, Australia, and Europe (including The Capilano Review, CV2, filling Station, New American Writing, Open Letter, Prairie Fire, Rampike, and West Coast Line). She won the bpNichol Poetry Chapbook Award in 1998, and was nominated for the Stephan G. Stephansson Poetry Book of the Year Award and for the Henry Kreisel First Book of the Year Award. She edits the chapbook series, Wrinkle Press (publishing such poets as Robert Kroetsch, Nikki Reimer, and Fred Wah), and has worked as an editor for Red Deer Press and NeWest Press. Currently, Nicole Markotic is Professor of Creative Writing, Children’s Literature, and Disability Studies at the University of Windsor.

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