The first scholarly volume dedicated to French Creole music and its contribution to the development of jazz in New Orleans

Caroline Vézina is an independent scholar specializing in the study of music and culture. Based in Montréal, she split her time between her hometown and New Orleans for many years to further her research on the music of the French Creoles.

Caroline Vézina's profile page

• Winner, ARSC Award for Best Historical Research in Recorded Jazz Music

“[Jazz à la Creole] closes, to a great extent, the gap that previously existed in the history of jazz.

The Syncopated Times

Jazz à la Creole is an excellent scholarly synthesis of the various attributions to Afro-French Creole culture regarding the formation and early development of New Orleans jazz. The study ties together issues related to race, ethnic identity, gender, class, religious and secular education, transcultural exchange, and canon formation. The depth and breadth of sources used and integrated on this topic surpasses previous efforts. This work is indispensable.

Bruce Boyd Raeburn, curator emeritus, Hogan Archive of New Orleans Music and New Orleans Jazz at Tulane University, and author of New Orleans Style and the Writing of American Jazz History

Jazz à la Creole: French Creole Music and the Birth of Jazz is a worthwhile addition to any jazz bookshelf. . . . Caroline Vézina has done us a service by delving into this topic so thoroughly.

THe Syncopated Times

One of the distinct merits of Caroline Vézina's study of French creole music and the birth of jazz is precisely the nuance, care, and precision she brings, because it is scholarly, but never dull or pedantic. . . . Everything that should be in a model monograph plus photos are to be found in this excellent book.

All About Jazz

Jazz à la Creole: French Creole Music and the Birth of Jazz is a captivating and well-researched exploration of the roots and evolution of jazz music. Caroline Vézina's passion for her subject shines through, providing readers with a fresh perspective on a fascinating chapter in American musical history. This book is a must-read for jazz aficionados and history buffs alike.

Kreol Magazine

Music and Creole culture are both central to New Orleans history but only now have these two themes been brought together in a book. And what a wonderful book Caroline Vézina has given us, starting with Louisiana's French founders and bringing us all the way up to the revival of Creole songs in the 1940s and “50s. Along the way we encounter familiar jazz musicians alongside forgotten manuscripts and songbooks, all helping to connect the dots of an illustrious Creole musical legacy. Magnifique!

Matt Sakakeeny, author of Roll With It: Brass Bands in the Streets of New Orleans

With a rich variety of musical notations, lyrics, and historical quotations, Jazz à la Creole demonstrates how the constantly evolving process of creolization was foundational to the development of New Orleans's unique musical traditions. Vézina distills a topic as intricate and boundless as jazz itself with purpose and precision.

Eric Seiferth, curator and historian at The Historic New Orleans Collection

In Jazz à la Creole: French Creole Music and the Birth of Jazz, Caroline Vézina pulls together a variety of sources to create a collage of Creole identity, New Orleans racial politics, and the music that emerged from that milieu. The resulting product combines carefully mined research in jazz studies, creolization theory, and folklore.

Journal of Southern History