Using materials and shapes reminiscent of modern construction, Harold Klingelhöller's sculptures at first appear self-sufficient. However, the pieces create a communicative network through repetition and visual similarities and thereby activate the space itself. This theme is further examined in the catalogue essay by David Moos. Produced in collaboration with Yves Gevaert, Brussels. Received Honorable Mention for Design from the Ontario Association of Art Galleries, 1997. Designed by Leopold en Zonen with Harald Klingelhöller. Co-published with Yves Gevaert.

Harald Klingelholler's profile page

David Moos is the former Senior Curator of Modern and Contemporary Art at the Art Gallery of Ontario. Previously, he was curator at the Birmingham Museum of Art, Alabama, where he organized the travelling exhibitions Jonathan Lasker: Selective Identity, William Wegman: Fashion Photographs, and Radcliffe Bailey: The Magic City as well as numerous exhibitions in the Museum’s Perspectives series, including those with Willie Cole, Jessica Diamond, Lonnie Holley, Luis Jimenez, Beatriz Milhazes, and Lawrence Weiner. He holds a doctorate in art history from Columbia University and is a contributing editor to Art Papers and Art US.

David Moos' profile page