Fiction Short Stories (single Author)
Going Ashore
- Publisher
- McClelland & Stewart
- Initial publish date
- Apr 2010
- Category
- Short Stories (single author), 20th Century, Literary
-
Paperback / softback
- ISBN
- 9780771035302
- Publish Date
- Apr 2010
- List Price
- $21.00
Classroom Resources
Where to buy it
Description
One of the world’s great short story writers emerges with a selection of stories from her past, a trove of hidden treasures.
Mavis Gallant moved from Montreal to Paris in 1950 to write short stories for a living. Since then she has continued to write, producing a remarkable body of work. In 1993, Robertson Davies said, “She has written many short stories. My calculation suggests that she has written in this form at least the equivalent of twenty novels.”
Many of her stories have been anthologized, notably in the 1996 classic Selected Stories, from which hundreds of pages had to be cut for reasons of length.
These “embarrassment of riches” are restored in this collection, along with many other neglected treasures from her past. Arranged in the order in which they appeared, they shed light on people living through most of the second half of the twentieth century.
More important, they show one of the greatest short story writers of our time at work, delineating a series of worlds with dramatic flair, dazzlingly precise language, a wicked wit, and a vivid understanding of the human condition.
About the authors
Mavis Gallant (1922–2014) once told an interviewer that she could no more stop being Canadian than she could change the colour of her eyes. Born in Montreal, she left a career as a leading journalist in that city to move to Paris in 1950 to write.
She published stories on a regular basis in The New Yorker, many of which were anthologized. Her worldwide reputation was established by books such as From The Fifteenth District and Home Truths, which won the Governor General’s Award in 1982. In that same year she was made an Officer of the Order of Canada, becoming a Companion of the Order in 1993, the year she published Across the Bridge and was the recipient of a special tribute at the Harbourfront International Festival of Authors in Toronto. She received several honorary degrees from Canadian universities and remained a much sought-after public speaker.
Internationally acclaimed as an anthologist, translator, essayist, novelist, and editor, Alberto Manguel is the bestselling author of several award-winning books, including A Dictionary of Imaginary Places, with Gianni Guadalupi, and A History of Reading. Manguel grew up in Israel, where his father was the Argentinian ambassador.
In the mid-1980s, Manguel moved to Toronto where he lived for twenty years. Manguel's novel, News from a Foreign Country Came, won the McKitterick Prize in 1992. During the 1990s, he wrote regularly for the Globe & Mail (Toronto), the Times Literary Supplement (London), the Sydney Morning Herald, the Australian Review of Books, the New York Times, and the Svenska Dagbladet (Stockholm). In 2000, Manguel moved to the Poitou-Charentes region of France, where he and his partner purchased and renovated a medieval farmhouse. Among the renovations is an oak-panelled library housing Manguel's collection of 30,000 books.
Célébrité internationale à plus d’un titre — il est anthologiste, traducteur, essayiste, romancier et éditeur — Alberto Manguel est l’auteur du Dictionnaire des lieux imaginaires, en collaboration avec Gianni Guadalupi, et d’une Histoire de la lecture, entre autres succès de librairie. Manguel a grandi en Israël où son père était ambassadeur de l’Argentine.
Au milieu des années 1980, Manguel s’installe à Toronto où il vivra pendant vingt ans. Il reçoit le McKitterick Prize en 1992 pour son roman News from a Foreign Country Came (Dernières nouvelles d'une terre abandonnée). Pendant les années 1990, il a été collaborateur régulier au Globe & Mail (Toronto), au Times Literary Supplement (Londres), au Sydney Morning Herald, au Australian Review of Books, au New York Times et au Svenska Dagbladet (Stockholm). Depuis 2000, Manguel habite la région française de Poitou-Charentes, dans une maison de ferme du Moyen-Âge qu’il a achetée et remise à neuf avec son compagnon. Parmi les rénovations, une bibliothèque lambrissée de chêne qui abrite les 30 000 livres de la collection de Manguel.
Excerpt: Going Ashore (by (author) Mavis Gallant; introduction by Alberto Manguel)
From Bernadette
Still, she continued to encourage his interest in theatre. More, she managed to create such a positive atmosphere of playwriting in the house that many of their casual acquaintances thought he was a playwright, and were astonished to learn he was the Knight of Turnbull, Knight & Beardsley. Robbie had begun and abandoned many plays since college. He had not consciously studied since the creative-writing course, but he read, and criticized, and had reached the point where he condemned everything that had to do with the English-language stage.
Nora agreed with everything he believed. She doggedly shared his passion for the theatre — which had long since ceased to be real, except when she insisted — and she talked to him about his work, sharing his problems and trying to help. She knew that his trouble arose from the fact that he had to spend his daytime hours in the offices of the firm. She agreed that his real life was the theatre, with the firm a practical adjunct. She was sensible: she did not ask that he sell his partnership and hurl himself into uncertainty and insecurity — a prospect that would have frightened him very much indeed. She understood that it was the firm that kept them going, that paid for the girls at St. Margaret’s and the trip to Europe every second summer. It was the firm that gave Nora leisure and scope for her tireless battles with the political and ecclesiastical authorities of Quebec. She encouraged Robbie to write in his spare time. Every day, or nearly, during his “good” periods, she mentioned his work. She rarely accepted an invitation without calling Robbie at his office and asking if he wanted to shut himself up and work that particular night. She could talk about his work, without boredom or exhaustion, just as she could discuss his love affairs. The only difference was that when they were mutually explaining Robbie’s infidelity, they drank whiskey. When they talked about his play and his inability to get on with it, Nora would go to the refrigerator and bring out a bottle of milk. She was honest and painstaking; she had at the tip of her tongue the vocabulary needed to turn their relationship and marriage inside out. After listening to Nora for a whole evening, agreeing all the way, Robbie would go to bed subdued with truth and totally empty. He felt that they had drained everything they would ever have to say. After too much talk, he would think, a couple should part; just part, without another word, full of kind thoughts and mutual understanding. He was afraid of words. That was why, that Sunday morning toward the end of October, the simple act of leaving the living room took on the dramatic feeling of escape.
He started up the stairs, free. Bernadette was on her knees, washing the painted baseboard. Her hair, matted with a cheap permanent, had been flattened into curls that looked like snails, each snail held with two crossed bobby pins. She was young, with a touching attractiveness that owed everything to youth.
“Bonjour, Bernadette.”
“’Jour.”
Bending, she plunged her hands into the bucket of soapy water. A moment earlier, she had thought of throwing herself down the stairs and making it seem an accident. Robbie’s sudden appearance had frightened her into stillness. She wiped her forehead, waiting until he had closed the door behind him. Then she flung herself at the baseboard, cloth in hand. Did she feel something — a tugging, a pain? “Merci, mon Dieu,” she whispered. But there was nothing to be thankful for, in spite of the walls and the buckets of water and the bending and the stretching.
From La Vie Parisienne
Trudi is our youngest. We’re putting her on a charter flight that lands in Norway. (See attached schedule.) She’s pretty resourceful for a sixteen-year-old, so you don’t really have to meet her, though it would be a good way of getting acquainted. I think you’ll find her refreshingly candid and outspoken. She’s willing to help around the house, once she has seen the purpose of the task. What she really wants is to spend the summer working on the creative side of someplace like Yves Saint Laurent or Christian Dior. She wouldn’t mind starting as a salesperson, just to get the feel of things. You won’t have anything like the trouble with Trudi that you had with Cressida, Ralph, and Bunny. Kids are off drugs now, except — but we’d just as soon let Trudi tell you.
Editorial Reviews
Praise for Mavis Gallant:
"The irrefutable master of the short story in English, Mavis Gallant has, among her colleagues, many admirers but no peer. She is the standout. She is the standard-bearer. She is the standard." —Fran Lebowitz
"There isn't a finer living writer in the English language." —Books in Canada
"She is a very good writer indeed." —New York Times
"Mavis Gallant is a marvellously clear-headed observer and a rare phrase-maker." —Times Literary Supplement
"Boldly styled. . . . [Gallant] manages to reveal so very much of a situation with rending economy. . . . Gallant's great achievement is to reveal the universality of difficult human experience." —National Post
"Happily, [these] stories have now been born again and they wear remarkably well." —Toronto Star
"Mavis Gallant writes some of the most superbly crafted and perceptive stories of our time." —Globe and Mail
"One of the best writers of our language, an artist who is above fad and fashion." —Saturday Night
"Reading any one of Mavis Gallant's stories is like viewing the entire universe through an electron microscope; in her hands fiction seems infinitely flexible and capacious. And all the complexity of insight, the breadth of understanding, the density of thought and intensity of feeling are delivered with thrilling charm, a thrilling lightness of touch." —Deborah Eisenberg
