The true—and unsolved—story of unabashedly greedy men, their exploitation of Muscogee land, and the hunt for the ghost of a boy who may never have existed
For readers of David Grann’s award-winning Killers of the Flower Moon

In the early 1900s, at the dawn of the “American Century,” few knew the intoxicating power of greed better than white men on the forefront of the black gold rush. When oil was discovered in Oklahoma, these counterfeit tycoons impersonated, defrauded, and murdered Native property owners to snatch up hundreds of acres of oil-rich land.

Writer and fourth-generation Oklahoman Russell Cobb sets the stage for one such oilman’s chicanery: Tulsa entrepreneur Charles Page’s campaign for a young Muscogee boy’s land in Creek County. Problem was, “Tommy Atkins,” the boy in question, had died years prior—if he ever lived at all.

Ghosts of Crook County traces Tommy’s mythologized life through Page’s relentless pursuit of his land. We meet Minnie Atkins and the two other women who claimed to be Tommy’s “real” mother. Minnie would testify a story of her son’s life and death that fulfilled the legal requirements for his land to be transferred to Page. And we meet Tommy himself—or the men who proclaimed themselves to be him, alive and well in court.

Through evocative storytelling, Cobb chronicles with unflinching precision the lasting effects of land-grabbing white men on Indigenous peoples. What emerges are the interconnected stories of unabashedly greedy men, the exploitation of Indigenous land, and the legacy of a boy who may never have existed.

Russell Cobb's profile page

Russell Cobb, a fourth-generation white Oklahoman, is professor in the Faculty of Arts at the University of Alberta and the author of The Great Oklahoma Swindle, which won the 2021 Director's Award in the Oklahoma Book Awards. His journalism has appeared in the New York Times, The Guardian, Slate, The Nation, and on NPR. His reporting appearing on This American Life was turned into the film Come Sunday, distributed by Netflix. He is also the host of History X, a podcast about buried histories and nonfiction mysteries, broadcast on 88.5FM in Edmonton, Canada, and across all major podcast platforms.

“With page-turning flair, Russell Cobb pursues the hidden truth about Indian oil allotments, white politics, and Black people who dreamed of a better life in early Oklahoma. The result is a suspenseful story of corruption, power, and malice that you will never forget!”
—Donald L. Fixico (Muscogee, Seminole, Shawnee, and Sac and Fox), author of The State of Sequoyah: Indigenous Sovereignty and the Quest for an Indian State

“Russell Cobb is a master storyteller, as well as being prolific. He is dedicated to digging out and revealing the corruption and crookedness of his and my home state. Ghosts of Crook County is his best yet.”
—Roxanne Dunbar-Ortiz, American Book Award-winning author of An Indigenous Peoples’ History of the United States
“Russell Cobb has delivered a bombshell of a book. Ghosts of Crook County isn’t just a deeply researched, gripping historical detective story. It is also a compelling meditation on wealth and power. Highly recommended.”
—Scott Ellsworth, author of The Ground Breaking: The Tulsa Race Massacre and an American City’s Search for Justice
“Weaving autobiography and investigative journalism, deep history and pointed critique, together in an enthralling must-read story of Oklahoma oil, Russell Cobb reminds us, in searing fashion, how crude exacts a heavy price for those communities caught up in its false dreams...This is a masterful book that reveals Oklahoma’s past (hidden) encounters with crude with an eye to its enduring potential for violence and injustice today.”
—Darren Dochuk, author of Anointed with Oil: How Christianity and Crude Made Modern America

“With the poetic writing of a literary savant, Cobb brings together Indigenous sovereignty, Indigenous children, and the unique capitalist exploitation that happened when oil was discovered in Indian Territory, leading to further forms of Indigenous dispossession. If you’ve read Killers of the Flower Moon and were enraged but engrossed in the story, Ghosts of Crook County is also the book for you—and you’ll likely enjoy it more!”
—Kyle T. Mays (Saginaw Chippewa), author of An Afro-Indigenous History of the United States
“Like some bastard son of Angie Debo and David Grann, in Ghosts of Crook County Russell Cobb blends the archival acuity of the former with the reliable readability of the latter.”
—Jeff Martin, owner, Magic City Books