Daddy wants to win the lottery, Mommy is still bitter about getting knocked up at twenty, Simeon has war-related PTSD, and Rachel just wants to get out of her parents' Oakwood/Eglinton place and have a home of her own, but first there are a few things she's got to get off her chest. It's Jamaica's Independence Day, Toronto is sweltering, and everyone is on edge--then the air-conditioner breaks. Loosely inspired by Eugene O'Neill's Long Day's Journey into Night, Andrea Scott's Get That Hope looks at the dysfunction of a Jamaican-Canadian family that has no idea how to communicate without wounding.

Andrea Scott’s play Eating Pomegranates Naked won the RBC Arts Professional Award and was named Outstanding Production at the 2013 SummerWorks Festival. Better Angels: A Parable won the SummerWorks Award for Outstanding Production. Both were published by Scirocco Drama in 2018. Don’t Talk to Me Like I’m Your Wife, which won the Cayle Chernin Award for theatre, ran at SummerWorks in 2016. 2019 saw her co-written play with Nick Green, Every Day She Rose wow audiences at Buddies in Bad Times Theatre. Her play about Viola Desmond, Controlled Damage, had its sold-out world premiere at Neptune Theatre in 2020 and will open at the Grand Theatre in 2022. She won the Magee Diversity Screenwriter’s Award for her first TV script, Dust to Dust. Her dark comedy Bad Habits landed her a job in the all Black writer’s room of The Porter (BET/CBC) which she followed up with snagging a spot pitching to Netflix with her supernatural drama Cassidy Must Die. 2021 saw her winning $10,000 from Amazon and the Indigenous Screen Office, pitching her coming-of-age dramedy DONE! She’s currently working in the writer’s room on the fifteenth season of Murdoch Mysteries while co-creating a one-hour drama for Sienna Films. She lives in Toronto.

Andrea Scott's profile page

"Razor sharp. Straight-up brilliant." -NOW Magazine

"Pitch perfect satire. Perfectly calibrated mic-drops." -Toronto Star

"Fast-paced and dizzyingly witty." -Intermission Magazine

"A very hilarious knife in the gut." -Anthony Oliveira, GLAAD Media Award–winning author of Dayspring

"Scathing satire." -Istvan Reviews

"Quite simply the most uproariously funny period of time I have ever spent in a theatre." -My Gay Toronto