Director of the Guido Molinari Foundation since 2023, Marie-Eve Beaupré has collaborated with various institutions over the past twenty years. She was curator of the collection at the Musée d’art contemporain de Montréal (2016-2023) and curator of Contemporary Quebec and Canadian Art at the Montreal Museum of Fine Arts (2014-2016). She also collaborated with the Musée national des beaux-arts du Québec (2010-2014) and the Galerie de l’UQAM (2004-2012) on exhibition and research projects. As an art historian and field practitioner, she has been involved in several inventories, including the studios of Edmund Alleyn, Sylvia Safdie, John Heward, Betty Goodwin and Guido Molinari.

Directrice de la Fondation Guido Molinari depuis 2023, Marie-Eve Beaupré a collaboré avec diverses institutions au cours des vingt dernières années. Elle fut conservatrice de la collection au Musée d’art contemporain de Montréal (2016-2023) et conservatrice de l’art contemporain québécois et canadien au Musée des beaux-arts de Montréal (2014-2016). Elle a également collaboré avec le Musée national des beaux-arts du Québec (2010-2014) et la Galerie de l’UQAM (2004-2012) pour des projets d’exposition et de recherche. Historienne de l’art et praticienne de terrain, elle a réalisé plusieurs inventaires, dont celui des ateliers d’Edmund Alleyn, Sylvia Safdie, John Heward, Betty Goodwin et Guido Molinari.

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Roald Nasgaard (MA, University of British Columbia; PhD, Institute of Fine Arts, New York University), Professor of Art History, and, for the past decade, Chair of the Art Department at Florida State University, began his teaching career at the University of Guelph in 1971. In the years between, before returning to academia, he had a long and distinguished museum career. From 1975 to 1978 he served as Curator of Contemporary Art and then, until 1993, as Chief Curator at the Art Gallery of Ontario, Toronto. Among the many exhibition catalogues he authored are Yves Gaucher: A Fifteen-Year Perspective (1979); Structures for Behaviour: New Sculptures by Robert Morris, David Rabinowich, Richard Serra and George Trakas (1978); The Mystic North: Symbolist Landscape Painting in Northern Europe and North America, 1890-1940 (1984); Gerhard Richter: Paintings (1988); and Pleasures of Sight and States of Being: Radical Abstract Painting Since 1990 (2001). Other major curatorial projects at the AGO include The European Iceberg: Creativity in Germany and Italy Today (1985) and Free Worlds: Metaphors and Realities in Contemporary Hungarian Art. Nasgaard has held several Canada Council fellowships and grants as well as a Research Fellowship at the National Gallery of Canada Library and Archives (2002). He won an OAAG Curatorial Writing Award in 1991 for his essay in Individualités: 14 Contemporary Artists from France. Nasgaard was born in Denmark and is a Canadian citizen.

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