Playful, thought-provoking and evocative, Every Day We Disappear recounts Angela Long’s travels around the world. In this, her first book of non-fiction, she writes about many things: falling in love with an aspiring monk, meeting her birth mother, being hugged by a saint, tree planting and witnessing firsthand the lives of those who live in poverty. She also learns to sit still and listen. This is a masterful and poetic storytelling told from the viewpoint of an adventurous spirit.

At the age of eighteen, Angela Long flew from Toronto to Frankfurt to begin a long-term love affair with faraway lands. She hitchhiked, cycled, bussed, walked, drove, sailed, and rode trains throughout Europe, Mexico, Central America, Northern Africa, India, America, and Canada. She stopped long enough in Montreal to obtain a diploma in Ceramics, and in Vancouver to complete a degree in Creative Writing. But mostly she kept moving. She volunteered in soup kitchens, orphanages, literacy centres, and farmers' fields. She worked in restaurants, tree-planting camps, hotels, hostels, English-language schools, tutoring centres, gardens, pottery studios, and transition houses.The Toronto Star first published Angela in 2000. Since then, her poetry, short fiction, and non-fiction have appeared in numerous Canadian and International publications, including The Globe and Mail, Utne and Poetry Ireland Review. Her poem "Testament" won first place at the 2008 Surrey International Writing Conference. She has also won awards from Room, Other Voices, Accenti, and The Brownen Wallace Memorial Award. She's received grants from the Ontario Arts Council and Canada Council for the Arts.Her debut poetry collection, "Observations From Off the Grid," explores living off-the-grid both literally and metaphorically. Part docu-poetry, part travelogue, the book begins with her experiences teaching English in war-torn Guatemala during the early 1990s, and continues to explore other parts of the world and mind. Barbara Carter, poetry editor of The New Quarterly, writes: "Angela's poetry captures well what is said and not said. Language has its limitations. As Earl Birney said, 'words are dull servants/ who say less or more than we feel.'"Currently, Angela lives in a log cabin on Haida Gwaii trying her best to capture feelings with words. Even though she's living in paradise, she often looks wistfully at her backpack.

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