Down the Road to Eternity: New & Selected Fiction is a collection of M.A.C. Farrant’s work dating from 1985 to 2009. Compiled of selected fiction from Sick Pigeon (1991), Raw Material (1993), Altered Statements (1995), Word of Mouth (1996), What’s True, Darling (1997), Darwin Alone in the Universe (2003) and The Breakdown So Far (2007), it includes her complete new suite of 18 stories, The North Pole, where our individual existence is bludgeoned by the threat of “end times”—climate change, species extinction, pandemics and really bad politics. Each of these stories is an ongoing instance of the author’s attempt at understanding language ironically, a search for the strikingly sublime in the awesomely absurd.
Objective reality in our culture has become a corporate performance of make-believe, and the disassociation and confusion this causes in our private lives often triggers uncontrollable tragi-comic effects in Farrant’s characters—a vacuous lethargy and/or a destructive violence they act out in a context of the most excruciatingly bright banalities imaginable.
Satiric and philosophical in approach, indelibly marked by wit, humour, irony, playfulness, a blend of parody and science fiction, irreverent analysis and comic existentialism, these stories celebrate the literary imagination as an antidote to the stranglehold the popular media now has on the public’s imagination. Yet as in all such relentlessly absurdist dystopian social parodies, there resides behind each of these brief entertainments a stifled scream for help, a trapped yearning for the awe and wonder of what we have become estranged from, an arrested lust for meaning.
Unsparing in her critique of the branded New Age syncretism our global culture has substituted for authentic human emotion and particular belief, these hilariously off-side stories navigate Farrant’s exploration of the relation of fiction to the evolving construction of reality in our media and information age.

M.A.C. Farrant has been writing and publishing since the 1980s: Nineteen works of fiction, non-fiction and memoir; two produced plays, countless book reviews for the Vancouver Sun and Toronto Globe & Mail; and over a dozen chapbooks. Along with Pauline Holdstock, she ran the Sidney Reading Series from 1994–2009.Her books have been finalists for many awards, among them the Commonwealth Writer’s Prize, the Ethel Wilson fiction prize, two Jessie Richardson theatre awards, The Van City Book Prize, the National Magazine Awards, the ReLit Award, the Gemini Awards for the Bravo short film adaptation of her story, Rob’s Guns & Ammo, and the Victoria Book Prize (three times), the last of which she won in 2014 for her collection of miniature fiction, The World Afloat. The Strange Truth About Us was one of the Globe & Mail’s Best Fiction books of 2012.Her 2021 non-fiction book, One Good Thing, was a BC Bestseller. Jigsaw: A Puzzle in Ninety-Three Pieces, another non-fiction book, was released in 2023. In 2024, Talon Books will issue the expanded 20th Anniversary Edition of her memoir, My Turquoise Years.Her most recent chapbooks are Some of the Puzzles (2021) and The Literary Cow Festival (2024) both from above/ground press in Ottawa. Talonbooks is the publisher of her last ten books.Farrant is well-known for her acerbic wit and laugh-out-loud humour. BC Bookworld has called her “Canada’s most acerbic and intelligent humourist”. Bill Richardson has called her “a master of the Zen-like art of delivering weight in a way that is featherlight” further noting that she’s “the most accomplished and unapologetic miniaturist in Canadian letters.”

M.A.C. Farrant's profile page

Karl Siegler is a member of the Order of Canada and was the long-time publisher of Talonbooks.

Karl Siegler's profile page

“M.A.C. Farrant is a trapeze artist of the imagination, swinging over the existential void.”
— BC Bookworld

“Farrant, it appears, will offer satire, surrealism and silliness to guide us through the rogue waves of reality toward a shore called Meaning. The stories are full of changing ideas and scenarios, and contain worlds. The reader might want to pick at these stories slowly, however, as they are extremely rich.”
— Globe and Mail

“Farrant has a lightness of touch, and her writing is not too charmed by its own cleverness; she achieves something quite tricky there. With an eye to the world that is somewhat aslant, her stories cannot nestle neatly into the forms usually associated with realism, and the formats she chooses are refreshing: at her best, it feels as if she is getting at the heart of something that takes other writers much longer to lead us to.” — Canadian Literature

Down the Road to Eternity: New & Selected Fiction