FINALIST FOR THE 2024 ATWOOD GIBSON WRITERS' TRUST FICTION PRIZE • FINALIST FOR THE 2024 GOVERNOR GENERAL'S LITERARY AWARD FOR FICTION • Globe and Mail's Best Books of 2024 • CBC's Best Canadian Fiction of 2024
Groundbreaking, dazzling debut fiction from one of Canada's most exciting and admired writers.

Canisia Lubrin's debut fiction is that rare work of art—a brilliant, startlingly original book that combines immense literary and political force. Its structure is deceptively simple: it departs from the infamous real-life “Code Noir,” a set of historical decrees originally passed in 1685 by King Louis XIV of France defining the conditions of slavery in the French colonial empire. The original Code had fifty-nine articles; Code Noir has fifty-nine linked fictions—vivid, unforgettable, multi-layered fragments filled with globe-wise characters who desire to live beyond the ruins of the past.
Ranging in style from contemporary realism to dystopia, from futuristic fantasy to historical fiction, this inventive, shape-shifting braid of stories exists far beyond the enclosures of official decrees. This is a timely, daring, virtuosic book by a young literary star. The stories are accompanied by black-and-white drawings—one at the start of each fiction—by acclaimed visual artist Torkwase Dyson.

Canisia Lubrin was born in St. Lucia. She has had work published in literary journals including Room, The Puritan, This Magazine, Arc, CV2 and The City Series #3: Toronto Anthology. She has been an arts administrator and community advocate for close to two decades. Lubrin has contributed to the podcast On The Line, hosted by Kate Sutherland for The Rusty Toque. She studied at York University where she won the President's Prize in poetry and the Sylvia Ellen Hirsch Memorial Award in creative writing. Lubrin holds an MFA from the University of Guelph and teaches at Humber College. She lives in Whitby, Ontario.

Canisia Lubrin's profile page

• Short-listed, Atwood Gibson Writers' Trust Fiction Prize
• Short-listed, Governor General's Literary Awards - Fiction

FINALIST FOR THE 2024 ATWOOD GIBSON WRITERS' TRUST FICTION PRIZE
FINALIST FOR THE 2024 GOVERNOR GENERAL'S LITERARY AWARD FOR FICTION
ONE OF THE GLOBE AND MAIL'S BEST BOOKS OF 2024

"Windham Campbell Prize–winning poet Lubrin makes her fiction debut with a thrilling and inventive collection centered on Black life in the Caribbean and the Caribbean diaspora. . . . Throughout, Lubrin plays with form and genre, interspersing traditional narratives with more experimental modes such as dramatic dialogues . . . and aphoristic writing resembling prose poetry. . . . Her gorgeous and innovative style shines on nearly every page. . . . It’s a monumental achievement." —Publishers Weekly (starred review)

"A collection that is profound and inveterately inventive, Code Noir expands what is possible in the realm of narrative. With purposeful defiance, Lubrin writes stories that cut effortlessly across eras and continents with the Black diaspora, within and against a history of institutionalized violence and oppression. She pushes against the laws governing what words can and can’t do, emerging finally with a sharp-edged language that is entirely sui generis. Lubrin’s work is conceptual genius, allusive across a wide swath of culture, from jazz to literature to art. Code Noir is a singular achievement.” —2024 Atwood Gibson Writers' Trust Fiction Prize jury (Saeed Teebi, Joan Thomas, and Uchechukwu Peter Umezurike)

“Brilliant, challenging, and ecstatic. . . . Code Noir refracts hundreds of years of history into a lively book of fictions. . . . The end result is exactly right, obscuring and countering, rewriting and reweaving, the colonial ordering of the world. . . . [A] dazzling achievement.” —The Globe and Mail
“Visceral, disruptive. . . . Astonishing. . . . Canisia Lubrin has turned her attention to fiction in her striking new work, Code Noir . . . play[ing] with form, time, and polyvocality . . . grounded in the making and unmaking of historical narratives of Black diasporic experience.” —Winnipeg Free Press
“Original and inspiring. . . . Lubrin’s poetry and prose share . . . a keen awareness of the impact of history on the common lives of those of us who live within the Black diaspora. . . . In [Code Noir], Lubrin’s world is one in which we are continually rethinking our past, questioning our present, and inventing the future. . . . Structured, but with an improvised feel, Code Noir is a cooperative contradiction of time and space, of melody and rhythm, of Black lives and Black matters.” —The Ampersand Review
“An interconnected allegory. . . . Lubrin’s iconoclastic flights subvert hierarchies and cover continents and aeons of pain. . . . Torkwase Dyson’s drawings depict these allegories . . . [adding] a fuller picture to Lubrin’s already fulsome text.” —The Miramichi Reader (starred review)
“Written in language that crackles with life and humour, the stories in Canisia Lubrin’s Code Noir: Metamorphoses usher us into the lives of their narrators, lives that are filled with a kind of wonder and surprise. Such an invitation to enter and imagine their worlds. In its formal inventiveness and sheer audaciousness, Code Noir is unlike anything else that I’ve ever read. Lubrin is a force.” —Christina Sharpe, author of Ordinary Notes and In the Wake
“Code Noir is a revelation. Proof that it is possible for an imagination to outpace the rest of us, and beckon from a future far richer and more brilliant than anything we know. This book sings in searing language, telling stories that bristle and challenge, comfort and question. Canisia Lubrin is one of the finest writers and thinkers of our time, and in Code Noir is a voice that, once heard, can never be forgotten." —Maaza Mengiste, author of The Shadow King, shortlisted for the Booker Prize

“Code Noir is storytelling at its deepest and most intimate. The stories take you into their confidences – confidences that are knowing, but at the same time defamiliarizing. You have to meet their speakers wherever they are in their lives. These speakers know things they shouldn’t know and, uncannily, they know things that you know. Things about lullabies and dogs and elephants. The stories say, loneliness is nostalgia; they listen to Billie Holiday during a war; they know the decrees of Code Noir, that 17th century rulebook for Black life; they know the realm of time, where best friends drown in rivers. Some of these stories are like looking through blue sea glass, some are like drinking strong liquor, some are like a whiff of smoke and then an orange light. These stories are magic and you must enter them as if you, too, are wondrous.” —Dionne Brand, author of Nomenclature, Theory, and Map to the Door of No Return
“A singular achievement.” —Souvankham Thammavongsa, author of How to Pronounce Knife
"A book that radiates life—insistent, unbounded life. . . . A virtuosic assembling of genres, voices and experience . . . with lines gripping the heart and stories suffused with beauty and tenderness." —David Chariandy, author of Brother