Border culture emerges through the intersection and engagement of imagination, affinity and identity.
It is evident wherever boundaries separate or sort people and their goods, ideas or other belongings. It is the vessel of engagement between countries and peoples—assuming many forms, exuding a variety of expressions, changing shapes—but border culture does not disappear once it is developed, and it may be visualized as a thread that runs throughout the process of globalization.
Border culture is conveyed in imaginaries and productions that are linked to borderland identities constructed in the borderlands. These identities underlie the enforcement of control and resistance to power that also comprise border cultures.
Canada’s borders offer an opportunity to explore the interplay of borders and culture, identify the fundamental currents of border culture in motion, and establish an approach to understanding how border culture is placed and replaced in globalization.
This title is part of the Borders in Globalization (BIG) SSHRC-funded research project. Published in English.

Victor Konrad, co-director of Borders in Globalization, teaches at Carleton University. Author of more than 100 publications, he is past president of both the Associations of Borderlands Studies and Canadian Studies in the United States.

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Melissa Kelly was a Postdoctoral Fellow with the Borders in Globalization Project at Carleton University. She holds a PhD in Social and Economic Geography from Uppsala University.

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