Blues singer, preacher, cultural critic, exile, Africadian, high modernist, spoken word artist, Canadian poet—these are but some of the voices of George Elliott Clarke. In a selection of Clarke’s best work from his early poetry to his most recent, Blues and Bliss: The Poetry of George Elliott Clarke offers readers an impressive cross-section of those voices. Jon Paul Fiorentino’s introduction focuses on this polyphony, his influences—Derek Walcott, Amiri Baraka, and the canon of literary English from Shakespeare to Yeats—and his “voice throwing,” and shows how the intersections here produce a “troubling” of language. He sketches Clarke’s primary interest in the negotiation of cultural space through adherence to and revision of tradition and on the finding of a vernacular that begins in exile, especially exile in relation to African-Canadian communities.
In the afterword, Clarke, in an interesting re-spin of Fiorentino’s introduction, writes with patented gusto about how his experiences have contributed to multiple sounds and forms in his work. Decrying any grandiose notions of theory, he presents himself as primarily a songwriter.

George Elliott Clarke is a Canadian poet and playwright. Born in Windsor Plains, Nova Scotia, he has spent much of his career writing about the Black communities of Nova Scotia and served for a time in the African-American Studies department at Duke University. He earned a BA Honours degree in English from the University of Waterloo (1984), an MA in English from Dalhousie University (1989), and a PhD in English from Queenâ??s University (1993). In addition, he has received honorary degrees from Dalhousie University (LLD), the University of New Brunswick (LittD), the University of Alberta (LittD), and the University of Waterloo (LittD). He is currently professor of English at the University of Toronto.

In 2001 he won the Governor Generalâ??s Literary Award for poetry for his book Execution Poems. Clarkeâ??s work largely explores and chronicles the experience and history of the black Canadian community of Nova Scotia and New Brunswick, creating a cultural geography that Clarke often refers to as Africadia. Clarkeâ??s Whylah Falls was one of the selected books in the 2002 edition of Canada Reads, where it was championed by Nalo Hopkinson.

George Elliott Clarke's profile page

Jon Paul Fiorentino
Jon Paul Fiorentino’s first novel is Stripmalling (ECW, 2009). His most recent book of poetry is The Theory of the Loser Class (Coach House Books, 2006). He is the author of the poetry book Hello Serotonin (Coach House Books, 2004) and the humour book Asthmatica (Insomniac Press, 2005). His most recent editorial projects are the anthologies Career Suicide! Contemporary Literary Humour (DC Books, 2003) and Post-Prairie — a collaborative effort with Robert Kroetsch, (Talonbooks, 2005).

Robert Kroetsch
Robert Kroetsch is a Canadian novelist, poet, and non-fiction writer. In his novel, The Words of My Roaring (1966), he began to use the tall tale rhetoric of prairie taverns. Both The Studhorse Man (1969), which won the Governor General’s Award, and Gone Indian (1973) call the conventions of realistic fiction hilariously into question.

In 2004, he was made an Officer of the Order of Canada.

Jon Paul Fiorentino's profile page

In being removed from their original contexts, these poems shine anew. Viewed apart from the rest of the poems in Black, Letter to a Young Poet seems even stranger, a successful and disturbing piece of standalone verse that fusses the high modernism of Ezra Pound with frightening, dare I say, Stephen King-like imagery.... A welcome feature to the books in the Laurier Poetry Series are the autobiographical postscripts provided by the poets, a nice touch that will appeal to readers unfamiliar with the names behind the poetry.

Christopher MacKinnon, Chronicle Herald (Halifax), April 5, 2009, 2009 April