Building on both the Beaux-Arts movement in France and the Arts and Crafts movement in Britain and the United States, Canadian art practitioners met the challenge of obtaining patronage - which had until then looked abroad - to create a unique aesthetic that shot through all aspects of daily life. Their contributions fueled the economic growth that marked these prosperous years. Punctuated with numerous illustrations, essays by experts in their fields detail how architecture, monumental sculpture, urban planning, mural and decorative painting, graphic design, decorative arts and photography came together in an unprecedented fashion in this young country.

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Andrea Kunard taught for over a decade at Carleton University, Queen's University and Nova Scotia College of Art & Design University. As associate curator at the National Gallery of Canada, Kunard explores the intersections of contemporary and historical issues in Canadian photography, focusing on cultural uses of the medium, and its capacity to challenge and reconfigure accepted understandings of the public and private, subjectivity, memory, and knowledge. She has curated numerous exhibition for the National Gallery and Library and Archives Canada. Kunard is the co-editor of The Cultural Work of Photography in Canada. She has also written articles on contemporary and historical photography in The Journal of Canadian Art History, the International Journal of Canadian Studies, and Early Popular Visual Culture.

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