In Euphoria, a small, fictional town that feels displaced in time and space, an affluent but isolated couple have vanished from their suburban home. Their estranged friend, Fir, a local video store employee, is the only person who notices their disappearance. When the police refuse to help, Fir recruits Fain, who moonlights as a security guard, and they set off on a seemingly hopeless search for the lost lovers. Their chance at an answer, if they can ever find it, lies on the wooded edge of Euphoria, where Slip, an elderly trailer park resident, finds a scattering of bones that cannot be identified. Distrusting everyone, Slip undertakes a would-be solitary quest to discover the bones’ identity. Yet secretly, Limn and Mal, two bored, true crime-loving teenagers from the trailer park, are dogging Slip. Determined to bring justice to the dead, Limn and Mal will instead bring the lives of all seven characters into fraught and tangled confrontation.

Beneath the familiar surface of this missing-persons novel lies an unparalleled experiment: the creation of a folkloric alternate reality where sex and gender have been forgotten. Expanding on the work of Anne Garréta’s Sphinx and Jeannette Winterson’s Written on the Body, and joining gender-confronting contemporaries like Joshua Whitehead’s Jonny Appleseed and Akwaeke Emezi’sThe Death of Vivek Oji, Anomia is an atmospheric exploration of a possible world, and a possible language, existing without reference to sex or gender.

Jade Wallace’s writing has won the Muriel’s Journey Poetry Prize and Coastal Shelf’s Funny & Poignant Poetry Contest, placed third in the Ken Belford Poetry Contest, been a finalist for the Wergle Flomp Humour Poetry Prize, and been nominated for The Journey Prize. They are the author of several solo and collaborative chapbooks, the reviews editor for CAROUSEL Magazine, and the co-founder of MA|DE, a collaborative writing entity. Love Is A Place But You Cannot Live There is their first book.

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