Drinkin' rye and water with Grandma. Guns in False Creek. Frat boy homies from the North Delta ghetto. Samuel L. Jackson. Phantom Lord & Metallica. A kid who's got the hots for his mom...

Hunh?

That's right. It's all here in this collection of immediate, lean and visceral short fiction from Clint Burnham.

Praise for Airborne Photo:

"A stack of hot Manwiches with hardboiled ingredients and a strong aftertaste for the steely constitution... " (Lynn Crosbie)

"Burnham's prose has the goods on a lower mainland most people are glad not to know." (George Bowering)

"an unsettling, diamond-sharp book of tiny stories that should be couriered to every doe-eyed, poverty-fetishizing liberal in the country." (This Magazine)

Clint Burnham is widely published as a critical theorist, poet, and author of books on digital culture. He is the author of book-length studies of Steve McCaffery and Fredric Jameson, a novel titled Smoke Show (2005), and several books of poetry, including The Benjamin Sonnets (2009). His most recent critical book is The Only Poetry That Matters: Reading the Kootenay School of Writing (2012). His most recent art writing includes a catalogue essay on Canadian photographer Kelly Wood; an essay on Edward Burtynsky in the c Petrocultures: Oil, Politics, Culture collection from McGill-Queens. During a residency at the Urban Subjects Collective in Vienna in 2014–15, he wrote books on Slavoj Žižek and digital culture, and on Fredric Jameson and Wolf of Wall Street.Burnham is an associate member of the SFU Department of Geography and a member of SFU’s Centre for Global Political Economy. He is a founding member of the Vancouver Lacan Salon.

Clint Burnham's profile page