A History of Burning
A Novel
- Publisher
- McClelland & Stewart
- Initial publish date
- May 2023
- Category
- Cultural Heritage, Sagas, Asian American
-
Hardback
- ISBN
- 9780771002311
- Publish Date
- May 2023
- List Price
- $36.00
-
Paperback / softback
- ISBN
- 9780771002359
- Publish Date
- Aug 2024
- List Price
- $24.00
Classroom Resources
Where to buy it
Description
INSTANT NATIONAL BESTSELLER • Winner of the 2024 Asian/Pacific American Award for Literature • Finalist for the 2023 Governor General's Award for Fiction, the 2024 Carol Shields Prize for Fiction, the 2024 Amazon Canada First Novel Award, and the 2024 Dayton Literary Peace Prize. • Named a Best Book of 2023 by the New York Times, The New Yorker, the Globe and Mail, CBC Books, Kobo Canada, and 49th Shelf
Four generations. Three sisters. One impossible choice. A profoundly moving debut novel spanning India, Uganda, England, and Canada, about how one act of survival reverberates across generations of a family and their search for a place of their own. Named a New York Times Book Review Editors' Pick, and a most anticipated book of 2023 by the Toronto Star, the Globe and Mail, OprahDaily, and Goodreads.
India, 1898. Pirbhai is the thirteen-year-old breadwinner for his family when he steps into a dhow on the promise of work, only to be taken across the ocean to labour on the East African Railway for the British. With no money or voice but a strong will to survive, he makes an impossible choice that will haunt him for the rest of his days and reverberate across generations.
Pirbhai’s children go on to thrive in Uganda during the waning days of British colonial rule. As the country moves towards independence and military dictatorship, Pirbhai’s granddaughters—sisters Latika, Mayuri, and Kiya—come of age in a divided nation, each forging her own path for the future. Latika is an aspiring journalist with a fierce determination to fight for what she believes in. Mayuri’s ambitions will take her farther away from her family than she ever imagined. And fearless Kiya will have to bear the weight of their secrets.
Forced to flee Uganda during Idi Amin’s brutal expulsion of South Asians in 1972, the family must start their lives over again in Toronto. Then one day news arrives that makes each generation question how far they are willing to go, and who they are willing to defy, to secure a place of their own in the world.
A masterful and breathtakingly intimate saga of colonialism and exile, complicity and resistance, A History of Burning is a radiant debut about the stories our families choose to share—and those that remain unspoken.
About the author
Awards
- Short-listed, Carol Shields Prize for Fiction
- Short-listed, Governor General's Literary Awards - Fiction
- Short-listed, Governor General's Literary Awards - Fiction
Contributor Notes
JANIKA OZA is the author of the novel A History of Burning, winner of the 2024 Asian/Pacific American Award for Literature, a finalist for the 2023 Governor General's Literary Award for Fiction and the 2024 Carol Shields Prize for Fiction, and a New York Times Book Review Editors’ Choice. She is the winner of a 2022 O. Henry Award and the 2020 Kenyon Review Short Fiction Award. She lives in Toronto.
Excerpt: A History of Burning: A Novel (by (author) Janika Oza)
Pirbhai, 1898
The last day Pirbhai spent in Gujarat was ignited by a sun that could not last. The heat was a dry beast, scorching the fields yellow as gora hair. He eased himself onto a step by the water’s edge, letting his chappals graze the foam. Jamnagar offered him nothing. For as long as he could remember, every day was the same. By foot, or sometimes hitching a ride on the back of a cart, he wandered the streets, pleading for work. Today the landowner barely raised his eyes, and he knew he was probably one of many boys turned away. Look around you, dikro, the man had muttered. Do you see any rice, any grain? Dry, all dry. Come back after monsoon. When Pirbhai pointed to the white buds bursting across a field, the man laughed until he coughed. His lips cracked and blood pulsed on his stained teeth. Those are for British exports. Not for us.
That morning, Pirbhai had watched his ma ask the gods for forgiveness, praying over his middle sister, whose bones clacked as though loose inside her skin. For days her body had expelled water—sweat-water, wiwi-water, chee-water—and now she was limp and dry as the crops outside. When his ma had turned to him and told him to try Jamnagar today, that a neighbour’s son had found work there last week, Pirbhai had imagined saying no. He had thought about rolling over on his sleeping mat, refusing to leave home and playing gilli danda with his siblings in the deadened grass instead. They would fight over who got to be striker and who fielder, and as the eldest, Pirbhai would get first pick. He would strike the gilli all the way to the sea, and his siblings would whistle, Ma looking on in awe.
But he was thirteen, the oldest son, no longer a boy. If he returned bearing nothing again, Ma would suck in her cheeks, then silently scrape her portion onto his plate; a reminder of the strength he would need for tomorrow. Bhai, his mother always called him, brother, reminding him of who he was, to whom he was responsible.
The reddening sky warned him to start his journey back, but the wind pulling off the water stilled him. He pressed his palms to his face, the imprint of the sun behind his eyelids a single ember. When he opened his eyes, there was a man. A merchant, his belt buckle polished and skin supple and oiled so that its brown shone almost gold. The man shifted a lump of tobacco in his cheek, exposing teeth like chipped bricks.
“Looking for work, dikro?”
Pirbhai nodded, eyeing him, too weary from the day to believe.
The man opened his fist for a second. It was long enough for Pirbhai to spy a pile of coins, grimy but solid, winking in the late afternoon light.
“You and I, we were meant to find one another,” the man said, and pressed a coin into Pirbhai’s palm. Pirbhai closed his fingers over the skin-warmed metal, unable to resist its unnatural weight.
“You have work?”
The man pointed out at the water.
“I’m looking for boys just like you. Young, tough, hard-working. You’ll work hard, na?”
Now Pirbhai focused, aware that this was his chance. He raked a hand through his hair, relieved that he still appeared strong and capable, even as his stomach curled around itself. He smiled to show the man his teeth, that they were straight and square, his best feature—a sign of inner health, his ma always bragged.
“I’ll work the hardest,” he said, and he meant it.
The man clapped him on the shoulder and fished into his pocket, drawing out two things. First, a small tin of tobacco, which he flipped open and offered to Pirbhai. Tentatively, Pirbhai accepted, taking a pinch and dabbing it inside his lip as he’d seen so many men do: languorous restless men, hungry-eyed. His heart leapt knowing that he might no longer be one of them.
Beneath the tin of tobacco, the man shook out a long strip of paper. It was crisp and covered in small black etchings. Pirbhai’s spirits sunk. A test. He had hardly been to school, never learned to read. Now he would have to prove himself smart enough for the job, and he would fail.
The man passed him the sheet of paper. He didn’t ask Pirbhai to read the words, or to recite a poem like the wealthy boys could, or to take up a pen and write. Instead, he produced a small cap of ink and tapped it open, gesturing to the line at the end of the page.
“If you want to work, you just need to put your thumbprint here,” he said.
Marvelling at his luck, Pirbhai let his right thumb sink into the pool of black, all the way until it hit the bottom.
***
It was nearly dark when they climbed onto the boat. The man hadn’t said where they were going, only that Pirbhai should wait until nightfall, when they would begin. Briefly Pirbhai imagined his ma worrying where he was, but he had asked a cart driver who was travelling through Porbandar to send word to his family. He pictured the driver calling to his ma from the cart, how his eldest sister would rush to offer him a glass of salted chaas for bringing such prosperous news. How proud they would be.
The dhow was small and wooden, and it creaked as Pirbhai and the others slotted themselves into the narrow hull, side by side like sacks of lott. Some were boys who looked no older than ten, others fully grown men, bearded, speaking of wives and children. Pirbhai recognized them all, though he knew none of them. Like him, they were all thin, dusty, made twitchy from months, perhaps years, of searching. The air glimmered with possibility. Pirbhai felt a greasy fullness, having bought some batata bhajias with the paisa the merchant gave him, upon the man’s insistence that he would need energy for the journey. The oil had curdled on his tongue as he thought of his middle sister, who hadn’t swallowed food in days, but he forced the thick mash down, sucking away the salt that burned his lips.
Now, Pirbhai didn’t see the merchant. Instead, three goras stepped onto the dhow, their shoulders broad and uniforms crisp. Captains, Pirbhai thought, British. The men were speaking, laughing, but the words that tumbled from their lips were unintelligible. He knew only a few words in English, gleaned here and there on his searches for work—hello, thank you, country, bread—and he heard none of these now.
“I heard there’s work in Karachi, that’s maybe where they’re taking us,” the boy beside Pirbhai said, scratching at a constellation of mosquito bites on his forearm. His name was Jameel and he had skin like midnight. Pirbhai’s was more like water-soaked wood. Pirbhai’s lungs swelled with relief to know he wasn’t the only one unaware of their destination. Not that it mattered: by morning he would be working, pocketing rupees to bring home to his ma, enough that they could buy medicine for his sister, maybe even call on a doctor, enough that they could buy milk and lott from the shop without having to sweep the floors and clean the toilet pit for a discount, or worse, buying the items on credit that his mother repaid later, at night, in secret, though Pirbhai had always known. A breeze lifted the hair from his forehead, and he tasted salt as a spray of seawater covered the men like a shroud. As the
dhow groaned into the water, Pirbhai watched the oil lamps on the shore of Gujarat flicker, then fade.
Editorial Reviews
INSTANT NATIONAL BESTSELLER • Winner of the 2024 Asian/Pacific American Award for Literature • Finalist for the 2023 Governor General's Award for Fiction, the 2024 Carol Shields Prize for Fiction, the 2024 Amazon Canada First Novel Award, and the 2024 Dayton Literary Peace Prize. • Named a Best Book of 2023 by the New York Times, The New Yorker, the Globe and Mail, CBC Books, Kobo Canada, and 49th Shelf
“Remarkable. . . . A haunting, symphonic tale that speaks to the nuanced complexities of class and trauma for this particular family. . . . This demand—and spirit—for bolder storytelling that transcends borders and identities certainly can be found in Oza’s generous novel. More life, more joy and more love amid a shifting and layered landscape of unspeakable loss. It’s all there—the complicated humanity and grief of Oza’s family of characters—for the reader to consider and behold.”
—New York Times Book Review
“A History of Burning is that rare epic that manages to retain both its sweep and its intimacy. Janika Oza has written a generational saga vivid and alive with sensory and historical detail, an excavation of stories often left untold. There is so much insight here into the aftershocks of colonialism and displacement, the way one generation’s decisions, be they voluntary or compelled or somewhere in between, can reverberate through the ages and change lives yet to be lived. This is a beautiful book, unflinching yet deeply engaged with that most human work, the work of forgiveness.”
—Omar El Akkad, author of American War and What Strange Paradise, winner of the Scotiabank Giller Prize
“Vast and intricate, alight with love and contained fury, A History of Burning is a towering debut by a phenomenal writer. A book I want to press into readers’ hands and discuss for hours.”
—Megha Majumdar, author of A Burning
“Janika Oza boldly navigates her remarkable, symphonic debut through a century of displacement of four generations of an extended Indo-Ugandan family. A History of Burning transmutes these sweeping moments of history into a nuanced and layered tale of loss, rage, and transcendence with its unflinching gaze and layered landscapes to ultimately create a heartbreaking and joyous portrait of a family that has kept each other alive with stories.” —Carol Shields Prize for Fiction jury citation
“Intimate and epic, A History of Burning effortlessly spans continents, political movements, and generations, while never losing sight of the humans living in these houses of history. Janika Oza bears witness, with rigor, with unflinching beauty, to a vital branch of South Asian diaspora, allowing both for the complexities of colonial violence and the human heart. A hymn for the ancestors, and the bitter, radiant acts of their survival: this book is a triumph.”
—Shruti Swamy, author of The Archer and A House Is a Body
“A History of Burning is as transfixing as a flame. Janika Oza writes strikingly and steadily, with exquisite, incisive detail, about making one’s home in imperfect places. This is a book about what it means to be part of a family and lineage, in all its heartbreaking and wondrous complexity.”
—Rachel Khong, author of Goodbye, Vitamin
“Spanning continents and centuries in the lives of four generations of one Indian-Ugandan family, A History of Burning is a riveting testament to home, exile, survival, and inheritance. Janika Oza is a writer you won’t want to miss.”
—Lisa Ko, author of The Leavers
“[Oza’s] writing reminds people that vulnerability and openness are the only ways we can save each other. A History of Burning is the art we need now.”
—Megan Giddings, author of Lakewood
“With the mastery of a seasoned writer, Janika Oza brings vividly to these pages the experiences of one family over nearly a century of history marked by the rapaciousness of colonialism and post-colonialism violence, while capturing memorably how these multiple brutalities damage the lives of those who are its victims. And yet despite their numerous traumas, displacements, and exploitations, her marvellously alive characters find ways to love and be joyful. Truly an astonishing debut.”
—Shyam Selvadurai, author of Mansions of the Moon
“Ambitious in scope and dazzlingly executed, A History of Burning is a marvellous debut. A tour de force.”
—Sharon Bala, author of The Boat People
“From India to East Africa, England, and Toronto, Oza’s characters experience the heartbreak of departures and arrivals, communities lost and rebuilt. This striking epic combines powerful characters of different generations, compelling storytelling, dramatic settings and conflicts, and thoughtful explorations of displacement and belonging, family ties, citizenship, loyalty, loss, and resilience.”
—Booklist (starred review)
“In intimate domestic scenes and scenes of societies in turmoil, she displays a sure-handed ability to write at both small and large scale and to portray with deep sympathy the universal human desire to find ‘a little place to simply exist, freely, and with dignity.’ An ambitious family drama skillfully explores the bonds of kinship and the yearning for peace and security.”
—Kirkus Reviews (starred review)
“Oza’s impressive debut spans four continents and five generations of an Indian family as they’re forced to migrate again and again for political and economic reasons. . . .”
—Publishers Weekly
