Making Up the Gods, by Marion Agnew
About the book: Making Up the Gods is equal parts quirky and sincere in its thoughtful exploration of tragedy and recovery, of new and old relationships, and of deeper questions of when to let the past rest.
Simone, a retired widow, would live a quiet and isolated life, if not for the lingering ghosts of her family. Spring has arrived, alongside Martin, who claims to be her cousin. When Martin asks if Simone is willing to sell her cottage by Lake Superior, a proposition made sweeter by the prospect of a condo in Florida, Simone, though pleased at the thought of a cousin, also questions his intentions.
Where among her past has Martin even come from, and why has he emerged in this moment? The burden of making a decision is all the more difficult because Simone has agreed to take care of a nine-year-old boy, Chen, for a short time while his mother enjoys a much-needed vacation. Simone finds her match in Chen, a curious and precocious boy grieving the loss of his father and stepbrother in an accident that has shaken the entire community.
Can Simone hide her ability to see her family ghosts? Will Martin succeed in extorting Simone's beloved home—and worse, is he a danger to Chen? Because of Chen and Martin, Simone is caught between her ties to the past and her desire to embrace the company of the living.
*
The Bliss House, by Jim Bartley
About the book: Two young men bringing up a small child in the middle of nowhere. Everything could be fine, but strangers start to meddle.
For near a century the reclusive Bliss clan farmed the same land. Now it’s 1963 and everyone’s gone except teenage Cam, his older cousin Wes, and little Dorie. They buried Gran over a year ago. But Gramp is still with them, wrapped tight as a mummy in an old tarp in the cold room off the kitchen. Life’s better now without the old man’s rants and terrors.
There are problems with the land lease and the meddlesome, moralizing neighbours, and rumours are spreading in town that there’s something not quite right about Cam and Wes, but they’re taking care of it all as best they can. Then the local Children’s Aid drops by to say Dorie needs schooling and proper parents, and it’s clear they can’t hide their secrets any longer. They’re on the road, heading north, with a body in the trunk. Wes knows a place, a cabin deep in the woods …
No matter what they do, gruesome casualties seem to follow them. It could be funny if it wasn’t so nightmarish. And through it all, a tender secret love thrives, as they try to hold on to the family they’ve built together.
*
The Handyman Method, by Nick Cutter & Andrew F. Sullivan
About the book: A chilling domestic story of terror for fans of Black Mirror and The Amityville Horror.
When a young family moves into an unfinished development community, cracks begin to emerge in both their new residence and their lives, as a mysterious online DIY instructor delivers dark subliminal suggestions about how to handle any problem around the house. The trials of home improvement, destructive insecurities, and haunted house horror all collide in this thrilling story perfect for fans of Nick Cutter’s bestsellers The Troop and The Deep.
*
And Then She Fell, by Alicia Elliott
About the book: On the surface, Alice is exactly where she should be: She’s just given birth to a beautiful baby girl, Dawn; her charming husband, Steve is nothing but supportive; and they’ve recently moved into a new home in a wealthy neighborhood in Toronto. But Alice could not feel like more of an imposter. She isn’t connecting with Dawn, a struggle made even more difficult by the recent loss of her own mother, and every waking moment is spent hiding her despair from their white, watchful neighbors. Even when she does have a minute to herself, her perpetual self-doubt hinders the one vestige of her old life she has left: her goal of writing a modern retelling of the Haudenosaunee creation story.
At first, Alice is convinced her discomfort is of her own making. She has gotten everything she always dreamed of, after all. But then strange things start happening. She finds herself losing bits of time, hearing voices she can’t explain, and speaking with things that should not be talking back to her, all while her neighbors’ passive-aggressive behavior begins to morph into something far more threatening. Though Steve assures her this is all in her head, Alice cannot fight the feeling that something is very, very wrong, and that in her creation story lies the key to her and Dawn’s survival. . . . She just has to finish it before it’s too late.
*
The Girl Who Cried Diamonds & Other Stories, by Rebecca Hirsch Garcia
About the book: The boundaries between realist and fabulist, literary and speculative, are shattered in this remarkable debut collection for readers of Carmen Maria Machado, André Alexis, and Angélique Lalonde.
A girl born in a small, unnamed pueblo is blessed—or cursed—with the ability to produce valuable gems from her bodily fluids. A tired wife and mother escapes the confines of her oppressive life and body by shapeshifting into a cloud. A girl reckons with the death of her father and her changing familial dynamics while slowly, mysteriously losing her physical senses.
Infused with keen insight and presented in startling prose, the stories in this dark, magnetic collection by newcomer Rebecca Hirsch Garcia invite the reader into an uncanny world out of step with reality while exploring the personal and interpersonal in a way that is undeniably, distinctly human.
*
Bad Cree, by Jessica Johns
About the book: Mackenzie, a Cree millennial, wakes up in her one-bedroom Vancouver apartment clutching a pine bough she had been holding in her dream just moments earlier. When she blinks, it disappears. But she can still smell the sharp pine scent in the air, the nearest pine tree a thousand kilometres away in the far reaches of Treaty 8.
Mackenzie continues to accidentally bring back items from her dreams, dreams that are eerily similar to real memories of her older sister and Kokum before their untimely deaths. As Mackenzie’s life spirals into a living nightmare—crows are following her around and she’s getting texts from her dead sister on the other side—it becomes clear that these dreams have terrifying, real-life consequences. Desperate for help, Mackenzie returns to her mother, sister, cousin, and aunties in her small Alberta hometown. Together, they try to uncover what is haunting Mackenzie before something irrevocable happens to anyone else around her.
Haunting, fierce, an ode to female relations and the strength found in kinship, Bad Cree is a gripping, arresting debut by an unforgettable voice.
*
Silver Nitrate, by Silvia Moreno-Garcia
About the book: Montserrat has always been overlooked. She’s a talented sound editor, but she’s left out of the boys’ club running the film industry in ’90s Mexico City. And she’s all but invisible to her best friend, Tristán, a charming if faded soap opera star, though she’s been in love with him since childhood.
Then Tristán discovers his new neighbor is the cult horror director Abel Urueta, and the legendary auteur claims he can change their lives—even if his tale of a Nazi occultist imbuing magic into highly volatile silver nitrate stock sounds like sheer fantasy. The magic film was never finished, which is why, Urueta swears, his career vanished overnight. He is cursed.
Now the director wants Montserrat and Tristán to help him shoot the missing scene and lift the curse . . . but Montserrat soon notices a dark presence following her, and Tristán begins seeing the ghost of his ex-girlfriend.
As they work together to unravel the mystery of the film and the obscure occultist who once roamed their city, Montserrat and Tristán may find that sorcerers and magic are not only the stuff of movies.
*
River Mumma, by Zalika Reid-Benta
About the book: Alicia has been out of grad school for months. She has no career prospects and lives with her mom, who won’t stop texting her macabre news stories and reminders to pick up items from the grocery store.
Then, one evening, the Jamaican water deity, River Mumma, appears to Alicia, telling her that she has twenty-four hours to scour the city for her missing comb.
Alicia doesn’t understand why River Mumma would choose her. She can’t remember all the legends her relatives told her, unlike her retail co-worker Heaven, who can reel off Jamaican folklore by heart. She doesn’t know if her childhood visions have returned, or why she feels a strange connection to her other co-worker Mars. But when the trio are chased down by malevolent spirits called duppies, they realize their tenuous bonds to each other may be their only lifelines. With the clock ticking, Alicia’s quest through the city broadens into a journey through time—to find herself and what the river carries.
River Mumma is a powerful portrayal of diasporic identities and a vital examination into ancestral ties. It is a homage to Jamaican storytelling by one of the most invigorating voices in Canadian literature.
*
In the Country in the Dark, by Daryl Sneath
About the book: When Landon and Joy meet they feel an instant connection and quickly become inseparable. One day shortly after they've met, they take a trip to view The Hart Farm, an idyllic property located in a remote area. It's perfect, with room for Landon to set up his carpentry shop and Joy to have an art studio. The real estate agent feels complete disclosure of the property's tragic and potentially violent past is necessary but Landon and Joy decide ignorance is bliss and ask to not be told the details. They're in love and smitten with the farm and decide on the spot to buy it.
As they spend their days creating art, reading, cooking for each other, listening to music, and making love, they can barely believe their good fortune. However, when the heat of summer--as well as their initial infatuation--begins to wane, Landon and Joy realize how little they know about each other or the house they now call home. They begin to feel a mounting sense of danger and uncertainty about what they used to delight in--the mysterious and tragic history of The Hart Farm, the wolves that prowl in the dark of night, and the near stranger they share a bed with.
In the Country in the Dark is a thrilling psychological exploration of the secrets we keep and why, the obsessions we live with, the love we all need, the family we sometimes find—and the lengths we might go to keep it.
*
Inescapable: A Ghost Story, by D.K. Stone
About the book: Trying to come to terms with the passing of her husband, an acclaimed and controversial Canadian artist, Aimee Westerberg is spiralling into depression instead. Her identity as George Westerberg's younger second wife has thrown her into a fight with his family over the estate, Troubled and grieving, Aimee escapes into her work as an art-restorer at Calgary's Glenbow museum, only to find herself pursued by Bear Cardinal, a journalist writing an exposé on the infamous artist's entangled life. But dealing with Bear is far from her only worry... As Aimee tries to piece together the true character of her late husband, her fragmented memories come into contact with what appears to be a phantom version of George. Is this obsessive ghost truly her husband, determined to maintain his hold on her, or some darker suggestion of Aimee's own mind? Unable to mourn while tormented by a poltergeist, Aimee must figure out how to un-tether herself from her troubled past, and escape forces from both this world and beyond.
*
Ezra's Ghosts, by Darcy Tamayose
About the book: Award-winning author Darcy Tamayose returns with Ezra's Ghosts, a collection of fantastical stories linked by a complex mingling of language and culture, as well as a deep understanding of grief and what it makes of us. Within these pages a scholar writes home from the Ryukyu islands, not knowing that his hometown will soon face a deadly calamity of its own. Another seeker of truth is trapped in Ezra after her violent death, and must watch how her family--and her killer--alter in her absence. The oldest man in town, an immigrant who came to Canada to escape imperial hardships, sprouts wings, and a wounded journalist bears witness to his transformation. Finally, past and present collide as a researcher reflects on the recent skinwars that have completely altered the world's topography. Binding the stories together is an intersection of arrival and departure—in a quiet prairie town called Ezra.
*
Chrysalis, by Anuja Varghese
About the book: Genre-blending stories of transformation and belonging that centre women of colour and explore queerness, family, and community.
A couple in a crumbling marriage faces divine intervention. A woman dies in her dreams again and again until she finds salvation in an unexpected source. A teenage misfit discovers a darkness lurking just beyond the borders of her suburban home.
The stories in Chrysalis, Anuja Varghese’s debut collection, are by turns poignant and chilling, blurring the lines between the real world and worlds beyond. Varghese delves fearlessly into complex intersections of family, community, sexuality, and cultural expectation, taking aim at the ways in which racialized women are robbed of power and revelling in the strange and dangerous journeys they undertake to reclaim it.
*
Tell Me Pleasant Things about Immortality, by Lindsay Wong
About the book: Living forever isn’t everything it’s cracked up to be. Hearts can still break, looks can still fade, and money still matters, even in eternity. The ghosts, zombies, and demons in this collection are all shockingly human, and they’re ready to spill their guts. Vanity, love, and tragedy are all candidly explored as the unfulfilled desires of the dead are echoed in the lives of modern-day immigrants. Story-by-story, the line between ghost and human, life and death, becomes increasingly blurred.
There’s a courtesan from 17th century China who, try as she might, just can’t manage to die. Grandmama Wu, who returns from the dead to protect her grandchildren from bullies. Not to mention an Internet-order bride who inadvertently brings the apocalypse to Nebraska City.
From Shanghai to Vancouver, the women in this collection haunt and are haunted—by first loves, troublesome family members, and traumatic memories. Intertwining horror, the supernatural, and mythology, Tell Me Pleasant Things about Immortality riotously critiques contemporary life and fearlessly illuminates the ways in which the past can devour us. A collection about transformation and what makes us human, it solidifies Lindsay Wong as one of the most vital and electrifying voices in Canadian literature today.