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This spring we've made it our mission (even more than usual) to celebrate new releases in the wake of cancelled launch parties, book festivals, and reading series. With 49th Shelf Launchpad, we're holding virtual launch parties here on our platform complete with witty banter, great insight, and short and snappy readings to give you a taste of the books on offer. You can request these books from your local library, get them as e-books or audio books, order them from your local indie bookseller if they're delivering, buy them direct from the publisher or from online retailers.

Today we're launching All I Have Learned is Where I Have Been, by Joe Fiorito, whose work is described by A.F. Moritz as "wonderfully inventive and skillful in poetic form, while remaining casual, colloquial: the art of the street's voice."

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The Elevator Pitch. Tell us about your book in a sentence.

All I Have Learned Is Where I Have Been is a book of short, hard, sharply urban poems taken from the margins, not for the faint of heart.

Describe your ideal reader.

Anyone who is co …

I had this idea for a book about a mother and daughter at that moment where they split apart: the emotional separation that must precede the physical one when a child leaves home. I knew the characters right away—17-year-old Maddie, burning to grow up, and her mom, Gwen, devoted yet unknowable—but I needed a world, and a drama, in which to place them. I heard about someone I knew winning a small amount in a lottery, and it shocked me somehow: Why them? What now? I decided that a win like that would be a good place to put my fictional family: a gain to contrast the loss. Stay Where I Can See You became a book about secrets, and the ebb and flow of fortune, and how those fortunes collide and coexist in a city.

I don’t look at books that are too similar to mine when I’m writing but this is a list of kindred stories that I’ve read over the years that circle similar themes, and probably worked their way into my brain and slid onto the page in ways I’ll never fully understand.

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What We All Long For, by Dionne Brand

Brand deploys her poet’s pen t …

Mobile is Tanis MacDonald's uncivil feminist reboot of Dennis Lee's Civil Elegies and Other Poems; an urban lament about female citizenship and settler culpability; an homage to working and walking women in a love/hate relationship with Toronto, its rivers and creeks, its sidewalks and parks, its history, misogyny and violence. How do we, in Lee's words, see the "lives we had not lived" that "invisibly stain" the city? What are the sexual politics of occupying space in a city, in a workspace, in history? How can we name our vulnerabilities and our disasters and still find strength?

In this recommended reading list, MacDonald suggests some literary walking companions.

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Sheep’s Vigil by a Fervent Person, by Erín Moure

Moure’s translation of Portuguese poet Fernando Pessao’s O Guardador de Rebanhos is such a work of beauty. Transposing sheep to cats and the fields of Portugal to the grid of streets around St. Clair and Vaughan Road in Toronto, Moure finds the underground creek system in the sewers, and follows history, geography, and the flow of …

There is so much good stuff on 49th Shelf that we sometimes compile our favourites to keep them close at hand via this series, Top Shelf. If there's not a book for you here—nay, ten!—well, we guess there isn't but it would be very, very strange. Enjoy!

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Sometimes cities pulse with energy and optimism. And sometimes they crush. Urban Grit is about the crush, with characters struggling to survive and even thrive in the face of it.

Check out Suzanne Allyssa Andrew's blog post along these lines, as well: Messes and Meltdowns in the City.

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Whether or not you believe that "short is the new long" when it comes to fiction, you'd be hard-pressed to turn down a book or two on this list of hot short story collections that came out in Spring 2015. Another hugely popular list among members in this same area is Canadian Short Stories, The New Generation, a crowdsourced list of writers who may be heirs-apparent to Munro and Gallant, and who are most definitely compelling Canadian voices in the twenty-first century.

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