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In Conversation With: Cheryl Foggo on the Personal, Political and Creating Space for Characters of Colour in Children's Literature

Cheryl Foggo is the author of Dear Baobab, illustrated by Qin Leng (Second Story Press). Dear Baobab is about a young boy, Maiko, who moves to North America from his village in Tanzania. He begins to identify with—and converse with—a little spruce tree that grows too close to his house. Rather than destroyed, the tree is ultimately relocated to a forest with the care of Maiko and his new family. It's about displacement, adopted homes and familial support. This summer, Quill & Quire gave Dear Baobab its highly-coveted Starred Review.

I had a chance to correspond with Cheryl about her personal and political journey as a writer, and the absence of people of colour in children's lit.

Julie Wilson: I've been thinking a lot about conversations I've had of late with editors and authors about the over-saturated publishing marketplace. Are there too many books? What constitutes a "necessary" book? Is that a dangerous question to ask? I consider your latest book, Dear Baobab, necessary and essential, yet it clearly comes from a personal place. Do you consider yourself a political writer? For instance, when writing this book, were you consciously responding to an absence of stories about people of colour?

Cheryl Foggo: Although my impulse to write comes from a creative cor …

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