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Fighting For a Hand to Hold: An Anti-Colonial Reading List

The QWF Literary Awards celebrate the best books and plays by English-language writers, playwrights, and translators in Quebec, as well as those translating English works from Quebec into French. Each award comes with a purse of $3,000.

For more information about the Awards and to see Giller Prize-winning author Sean Michaels announce all the finalists, check out the Gala page on our website.

Fighting for a Hand to Hold won The Mavis Gallant Prize for Non-Fiction and The Concordia University First Book Prize at the 2021 Awards Gala.

Learn more about the book at https://fightingforahandtohold.ca

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Fighting for a Hand to Hold: Confronting Medical Colonialism against Indigenous Children in Canada (foreword by Cindy Blackstock, afterword by Katsi’tsakwas Ellen Gabriel) uses the #aHand2Hold campaign as a case study of contemporary medical colonialism in Quebec, and demonstrates that inequalities in health care follow fault lines of societal injustices.

The campaign confronted Évacuations aéromédicales du Québec (ÉVAQ), the provincially run medical evacuation airlift service, and its long-standing practice of separating Indigenous children from their families in northern Quebec. The book also contextualizes this now-defunct practice by exposing the Canadian medic …

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Book Beyond the Poem—Poem Beyond the Book

Book Cover Hell Light Flesh

The QWF Literary Awards celebrate the best books and plays by English-language writers, playwrights, and translators in Quebec, as well as those translating English works from Quebec into French. Each award comes with a purse of $3,000.

For more information about the Awards and to see Giller Prize-winning author Sean Michaels announce all the finalists, check out the Gala page on our website.

Hell Light Flesh, by Klara du Plessis, is a finalist for the A.M. Klein Prize for Poetry.

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This list foregrounds the unravelling of the poem as a discreet entity and models expansion. Through modes of formal lengthening, seriality, interdisciplinarity or disciplinary coexistence, these poets exceed the tradition of book as self-contained object, and break print materiality to cross over into other genres and practices. While the work of these authors feels central to my personal reading practice, I am keenly aware of the limitations of inclusion—the other ones, the unread ones, the ones from across borders.

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An Autobiography of the Autobiography of Reading, …

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