This spring we've made it our mission (even more than usual) to celebrate new releases in the wake of cancelled launch parties, book festivals, and reading series. With 49th Shelf Launchpad, we're holding virtual launch parties here on our platform complete with witty banter and great insight to give you a taste of the books on offer. You can request these books from your local library, get them as e-books or audio books, order them from your local indie bookseller if they're delivering, buy them direct from the publisher or from online retailers.
Today we're launching One Earth: People of Color Protecting Our Planet, which Elizabeth May calls "a book to be celebrated and shared!”
The Elevator Pitch. Tell us about your book in a sentence.
One Earth is a nonfiction book with colour photos that tells the stories of 20 Black, Indigenous and people of colour who are environmental defenders.
Describe your ideal reader.
Loves nature and/or is looking for diverse role models. Perhaps doesn’t tend to see themselves reflected enough in popular media, and …
Cheryl Foggo is the author of Dear Baobab, illustrated by Qin Leng (Second Story Press). Dear Baobab is about a young boy, Maiko, who moves to North America from his village in Tanzania. He begins to identify with—and converse with—a little spruce tree that grows too close to his house. Rather than destroyed, the tree is ultimately relocated to a forest with the care of Maiko and his new family. It's about displacement, adopted homes and familial support. This summer, Quill & Quire gave Dear Baobab its highly-coveted Starred Review.
I had a chance to correspond with Cheryl about her personal and political journey as a writer, and the absence of people of colour in children's lit.
Julie Wilson: I've been thinking a lot about conversations I've had of late with editors and authors about the over-saturated publishing marketplace. Are there too many books? What constitutes a "necessary" book? Is that a dangerous question to ask? I consider your latest book, Dear Baobab, necessary and essential, yet it clearly comes from a personal place. Do you consider yourself a political writer? For instance, when writing this book, were you consciously responding to an absence of stories about people of colour?
Cheryl Foggo: Although my impulse to write comes from a creative cor …