Our 2021 Fall Preview continues (have you seen our Most Anticipated Fiction yet?) with nonfiction, and exciting new books about everything, including food, beauty, art, travel, singing, healing, grieving, shopping, aging, and so much more.
In Return (September), Kamal Al-Solaylee interviews dozens of people who have chosen to or long to return to their homelands, from the Basques to the Irish to the Taiwanese, and makes a return of sorts himself, to the Middle East, visiting Israel and the West Bank as well as Egypt to meet up with his sisters. Gone Viking II (November) features a series of remarkable excursions occurring over before, during, and after the voyages recounted in Bill Arnott's previous memoir, Gone Viking: A Travel Saga. The original French-language edition of Made-Up (September) was a cult hit in Quebec. Translated by Alex Manley—like author Daphne B., a Montreal poet and essayist—the book's English-language text crackles with life, retaining the flair and verve of the original, and ensuring that a book on beauty is no less beautiful than its subject matter.
With new books by Miriam Toews, Dawn Dumont, Douglas Coupland, Marie-Renee Lavoie, Omar El Akkad, Zoe Whittall, Trudy Morgan-Cole, and other literary faves, the season is shaping up beautifully—and there are so many exciting debuts!
There are the books you're going to be loving in the second half of 2021.
Following on the heels of Pastoral, Fifteen Dogs, The Hidden Keys, and Days by Moonlight, Ring (September) completes André Alexis’s quincunx, a group of five genre-bending, and philosophically sophisticated novels. For fans of Nora Ephron and Jennifer Weiner, Her Turn (July) is Katherine Ashenburg’s witty, contemporary new novel about a forty-something newspaper columnist navigating her bold next chapter, set in Washington against the 2015 US presidential primary. A hilarious and profound debut, Everyone in This Room Will One Day Be Dead (July) by Emily Austin, follows a morbidly anxious young woman who stumbles into a job as a receptionist at a Catholic church and becomes obsessed with her predecessor’s mysterious death.
Todd Babiak’ …
Looking forward to some of the books for young readers (and readers of all ages) that we're going to be falling in love with in the first half of 2021.
Seeing Stars (April), by Denise Adams, is a quirky, fun book exploring the secret underwater life of starfish, in the style of The Secret Life of Squirrels. Told half in French and half in English, Pierre and Paul: Dragon (April), by Caroline Adderson and Alice Carter, the second book in the Pierre & Paul series, uses simple phrases and clues in the illustrations to make the story accessible to readers in both languages. The Covid-19 pandemic, which seems to be taking some time to go away, has meant big changes for one little girl’s family in When Mom’s Away, (April), by Layla Ahmad and Farida Zaman. Outside, You Notice (April), by Erin Alladin, illustrated by Andrea Blinick, is a lyrical celebration of the outdoors pairing childlike observation with facts about the natural world. Maya’s imagination sets the stage for her friends to act out her feminist play. Can she make room in her queendom for the will of the people? Maya's Big Scene (February), by Isabelle Arsenault, is a funny picture book about leadership and fair play for fans of King Baby and Olivia. And a young boy discovers strang …
Our Spring Preview continues with an amazing selection of new and forthcoming poetry.
The Montreal Prize Anthology 2020 (April), by Jordan Abel, Kaveh Akbar and Wendy Cope, explodes with talent, combining radiant vision with striking invention in form. Andrea Actis's Grey All Over (April) not only celebrates a rare, close, complicated father-daughter bond, it also boldly expands the empathetic and critical capacities of poetry itself. Make the World New (April) brings together in a single volume some of the highlights of work by Lillian Allen, one of the leading creative Black feminist voices in Canada, and is the first book of her poems to be published in over 20 years. Selina Boan’s debut poetry collection, Undoing Hours (March), considers the various ways we undo, inherit, reclaim and (re)learn. And Shane Book, the author of the acclaimed 2014 collection Congotronic, returns with All Black Everything (June), a collection of urgent, forceful, and energetic new poems.
Set in a small-town, sub-Arctic dive bar, Tara Borin’s debut collection The …
Life stories, family, baseball, and retreat. These highlight the nonfiction we're most looking forward to this spring,
Her Name Was Margaret (February), by Denise Davy
About the book: Margaret Jacobson was a sweet-natured young girl who played the accordion and had dreams of becoming a teacher until she had a psychotic break in her teens, which sent her down a much darker path. Her Name Was Margaret traces Margaret's life from her childhood to her death as a homeless woman on the streets of Hamilton, Ontario. With meticulous research and deep compassion author Denise Davy analyzed over 800 pages of medical records and conducted interviews with Margaret's friends and family, as well as those who worked in psychiatric care, to create this compelling portrait of a woman abandoned by society.
Through the revolving door of psychiatric admissions to discharges to rundown boarding homes, Davy shows us the grim impact of deinstutionalization: patients spiralled inexorably toward homelessness and death as psychiatric beds were closed and patients were left to fend for themselves on the streets of cities across North America. Today there are more 235,000 people in Canada who are counted among the homeless annually and 35,000 who are homeless on any given night. Most of t …
Our Spring Preview begins with the fiction you're going to be falling in love with in 2021.
Caught between cultures and identities, immigrant families from a Bengali neighbourhood in Toronto strive to navigate their home, relationships, and happiness in Silmy Abdullah’s debut, Home of the Floating Lily (June). Pyromaniacs, vigilantes, mysterious phenomena, prehistoric beasts, cryptid species, grave robbers and ghosts... the stories of Nathan Adler's Ghost Lake (December) feature a cast of interrelated characters and their brushes with the supernatural, creatures of Ojibwe cosmology, the Spirit World, and with monsters, both human and otherwise. Four writers and four different perspectives on the problematic notion of purity in Disintegration in Four Parts (June), a collection of novellas by Jean-Marc Ah-Sen, Emily Anglin, Devon Code, and Lee Henderson. And Sergeant Roxanne Calloway of the RCMP finds herself investigating the death of the Artistic Director of a prairie theatre company about to put on Macbeth (of course!) in And Then is Heart No More (April), by Raye Anderson.
New books for young readers...and readers of all ages!
Told in rhyming verse, The Old Man and the Penguin (October), by Julie Abery and illustrated by Pierre Pratt, is the touching true story of an oil-soaked penguin, the man who rescues him and an unlikely friendship. Cakes, cookies or pie? A rivalry among local bakers is the basis for the deliciously sweet, off-the-wall picture book It Happened On Sweet Street (July), by Caroline Adderson, illustrated by Stephane Jorisch. Bed has something to say. Bed knows you do not like bedtime. Bed gets it. But look ... YOU are not so great, either: Monica Arnaldo provides the other side of the story in Time for Bed's Story (September). And a young girl discovers nature’s surprising beauty in The Most Amazing Bird (November), from renowned Inuit storyteller Michael Arvaarluk Kusugak, illustrated by Andrew Qappik.
Two popular storybook titans, princesses and dinosaurs, battle to determine who should star in Linda Bailey's new laugh-out-loud picture book, Princesses Versus Dinosaurs (September), …
Our Fall Preview continues with poetry, with an intriguing selection of debuts, selected/collected works, and other excellent new releases.
(Re)Generation (January) contains selected poetry by Anishinaabe writer Kateri Akiwenzie-Damm that deals with a range of issues: from violence against Indigenous women and lands to Indigenous erotica and the joyous intimate encounters between bodies. Susan Alexander’s Nothing You Can Carry (September) is rooted in a keen, even holy, sense of place within the natural world. Text Messages (September) is the first multi-genre collection by Montreal-based Iraqi hip-hop artist, activist, and professor Yassin “Narcy” Alsalman. And Dearly (November) is Margaret Atwood’s first collection in over a decade, bringing together many of her most recognizable and celebrated themes, but distilled.
The concerns of Swivelmount (September)—the collapse of subject and world, eros and law, knowledge and bafflement—gain new urgency as Ken Babstock fiercely reimagines and reassembles the remnants into a viable order. A b …
We're looking forward to books about history, true crime, memoir, nature, music, dance, food, and so much more. There's something for everyone looking for fantastic nonfiction in Fall 2020.
Wish You Were Here: A Murdered Girl, a Brother's Quest and the Hunt for a Serial Killer (September), by John Allore and Patricia Pearson, is the story of a brother’s lifelong determination to find the truth about his sister’s death, a police force that was ignoring the cases of missing and murdered women, and, to the surprise of everyone involved, a previously undiscovered serial killer. Barbara Amiel’s memoir Friends and Enemies (October) is not a book of vengeance (though that this needs to be denied is intriguing!) but an attempt to find her own truth: a life that reads like a novel. Jann Arden—bestselling author, recording artist and late-blooming TV star—is back with If I Knew Then (October), a funny, heartfelt and fierce memoir on becoming a woman of a certain age. And Bill Arnott guides readers on an epic literary odyssey following history’s most feared and misunderstood voyageurs in Gone Viking (September).
New books by old favourites, sparkling debuts, and more than a few timely books about pandemics are among the titles that are going to be some of your favourite reads of 2020.
Caroline Adderson’s A Russian Sister (August) gives a glimpse behind the curtain to reavel the fascinating real-life people who inspired Chekhov’s The Seagull and the tragedy that followed its premiere. Award-winner Edem Awumey's Mina Among the Shadows (October), translated by Phyllis Aronoff and Howard Scott, is a hymn to immutable desire, the power of beauty, and the courage of women. The Night Piece (October) is a career-spanning collection of stories from Andre Alexis, award-winning author of Fifteen Dogs. Every Step She Takes is a gripping new thriller by bestselling author K.L. Armstrong. And Ashley Audrain’s much anticipated debut is The Push (January), a tense, page-turning psychological drama about the making and breaking of a family, told through the eyes of a woman whose experience of motherhood is nothing at all what she hoped for—and everything she feared.
The fiction selection for the first half of 2020 is shaping up beautifully! Here's what we're excited about.
Part literary Western and part historical mystery, Ridgerunner (May) is the follow-up to Gil Adamson’s award-winning and critically acclaimed novel The Outlander. Jean Marc Ah-Sen’s second book, after Grand Menteur, is the story collection In the Beggarly Style of Imitation (April). Keepers of the Faith (April), by Shaukat Ajmeri, is a Romeo and Juliet story with a twist, set in modern India, in a Shia Muslim community that lives under the thumb of a clergy dictating every facet of their lives. Marianne Apostolides’ latest novel is I Can’t Get You Out of My Mind (April), a book that asks what it means to be human—to be physical creatures endowed with a conscious mind, aware of our finitude—and to love. And in Alone in the Wild (February), Kelley Armstrong’s latest thriller, the hidden town of Rockton is about to face a challenge none of them saw coming: a baby.
Set in the mid-1930s, Filthy Sugar (May), by Heather Babcock, te …
Our fall preview continues with poetry!
Poet and intermedia artist Oana Avasilichioaei’s follow-up to Limbinal is Eight-Track (November), a transliterary exploration composed of eight “tracks” plus two bonus tracks, each of which explores one of the various meanings of the word “track”: musical track, a physical path, marks left by a person or animal, speech tracking, animal and human tracking, and systems of surveillance. The National Gallery (September), Jonathan Ball’s fourth poetry book and his first in seven years, swirls chaos and confession together, and at the book’s heart is a question: Why create art? Whether calling a tree “an anthology of leaves” or describing time as “a Fisher-Price View Master of ‘first kisses’ and ‘no return’ policies,” Chris Banks approaches writing as if anything might make for alarming, strange, and dizzying verse in Midlife Action Figure (September).
Building on the dreamy emotional landscapes she plumbed in If I Were in a Cage I’d Reach Out for You, Adèle Barclay navigates even …