This latest installment of our 2022 Spring Preview offers new books by celebrated poets including Paul Zits, Alexandra Oliver, Madhur Anand, Yvonne Blomer, Lorna Goodison, Evelyn Lau, Sarah Yi-Mei Tsiang, rob mclennan, Katherine Lawrence, and more, plus many exciting debuts.
The poems in Maleea Acker’s Hesitating Once to Feel Glory (April) cajole and praise both the world and interior life with both an erotic charge and enduring hope. In Parasitic Oscillations (March), Madhur Anand examines various aspects of living and practicing as both a poet and scientist in the Anthropocene during a time of unravelling. And Hypatia’s Wake (June), by Susan Andrews Grace, presents Hypatia of Alexandria, the Neoplatonic philosopher, astronomer, and mathematician who was murdered by Christians in the fifth century.
Patterned on a series of dream states, David Barrick’s Nightlight (May) delves into the surreal nature of the human imagination, even at its most unconscious. In Cut to Fortress (April), Tawahum Bige confronts colonialism, relationships, grief a …
Our Spring Preview continues (Most Anticipated Fiction is out already!) with nonfiction, all the best of memoir, food writing, biography, history, the environment, science, politics, and so much more.
In Son of Elsewhere (May), Elamin Abdelmahmoud charts his life with wise, funny, and moving reflections on the many threads that weave together into an identity. In the innovative and intimate memoir I Am Because We Are (February), Chidiogo Akunyili-Parr tells the story of her mother, a pan-African hero who faced down misogyny and battled corruption in Nigeria. Animal as Machine (April), by Michel Anctil, explores the life, work, and ideas of scientists who, branding themselves as physiologists, subscribed to mechanistic concepts to explain how animals acquire and process food, breathe, circulate their blood, and sense their environment.
The world is desperate for cobalt. It fuels the digital economy and powers everything from cell phones to clean energy. But this “demon metal,” this “blood mineral,” has a horrific present and troubled histor …
Exciting new releases by Alexander MacLeod, Heather O'Neill, Lesley Crewe, Kim Fu, Lisa Moore, Rawi Hage, and more, plus great debuts that are going to knock your literary socks off.
A Knife in the Sky (June) is Haitian-Québécoise writer Marie-Célie Agnant’s most recent novel, translated by Katia Grubisic, a book preoccupied with colonial imposition and its weight specifically on women. In The Swells (January), a darkly hilarious satire by Will Aitken, class war erupts aboard a luxury cruise ship. A story of identity, connection and forgiveness, Anita Anand's A Convergence of Solitudes (May) shares the lives of two families across Partition of India, Operation Babylift in Vietnam, and two referendums in Quebec. Bestseller Kelley Armstrong returns to the captivating town of Rockton in The Deepest of Secrets (February), the next instalment in her celebrated crime series. Armstrong also releases A Rip Through Time (May), a series debut in which a modern-day homicide detective finds herself in Victorian Scotland—in an unfamiliar body—with a killer on the loose.
Part three of our Fall Preview is poetry, a mixture of impressive debuts and releases by favourites.
The constraint-based poems in the debut collection, A Future Perfect (August), by Razielle Aigen, are written in the future-perfect tense, used as a way of bending time and playing with non-linearity. (Re)Generation (August) contains selected poetry by Anishinaabe writer Kateri Akiwenzie-Damm that deals with a range of issues, from violence against Indigenous women and lands, to Indigenous erotica and the joyous intimate encounters between bodies. And Make the World New (August) brings together some of the highlights of the work of Lillian Allen, one of the leading creative Black feminist voices in Canada, and is the first book of her poems to be published in over 20 years, edited by Ronald Cummings.
With echoes of Jacques Brault, Simone Weil, Baudelaire and Petrarch, in Of Love (October), Paul Bélanger continues his poetic quest for the sources of spiritual ecstasy. The Answer to Everything (September) showcases the definitive works of Ken Belfo …
Our 2021 Fall Preview continues (have you seen our Most Anticipated Fiction yet?) with nonfiction, and exciting new books about everything, including food, beauty, art, travel, singing, healing, grieving, shopping, aging, and so much more.
In Return (September), Kamal Al-Solaylee interviews dozens of people who have chosen to or long to return to their homelands, from the Basques to the Irish to the Taiwanese, and makes a return of sorts himself, to the Middle East, visiting Israel and the West Bank as well as Egypt to meet up with his sisters. Gone Viking II (November) features a series of remarkable excursions occurring over before, during, and after the voyages recounted in Bill Arnott's previous memoir, Gone Viking: A Travel Saga. The original French-language edition of Made-Up (September) was a cult hit in Quebec. Translated by Alex Manley—like author Daphne B., a Montreal poet and essayist—the book's English-language text crackles with life, retaining the flair and verve of the original, and ensuring that a book on beauty is no less beautiful than its subject matter.
With new books by Miriam Toews, Dawn Dumont, Douglas Coupland, Marie-Renee Lavoie, Omar El Akkad, Zoe Whittall, Trudy Morgan-Cole, and other literary faves, the season is shaping up beautifully—and there are so many exciting debuts!
There are the books you're going to be loving in the second half of 2021.
Following on the heels of Pastoral, Fifteen Dogs, The Hidden Keys, and Days by Moonlight, Ring (September) completes André Alexis’s quincunx, a group of five genre-bending, and philosophically sophisticated novels. For fans of Nora Ephron and Jennifer Weiner, Her Turn (July) is Katherine Ashenburg’s witty, contemporary new novel about a forty-something newspaper columnist navigating her bold next chapter, set in Washington against the 2015 US presidential primary. A hilarious and profound debut, Everyone in This Room Will One Day Be Dead (July) by Emily Austin, follows a morbidly anxious young woman who stumbles into a job as a receptionist at a Catholic church and becomes obsessed with her predecessor’s mysterious death.
Todd Babiak’ …
Looking forward to some of the books for young readers (and readers of all ages) that we're going to be falling in love with in the first half of 2021.
Seeing Stars (April), by Denise Adams, is a quirky, fun book exploring the secret underwater life of starfish, in the style of The Secret Life of Squirrels. Told half in French and half in English, Pierre and Paul: Dragon (April), by Caroline Adderson and Alice Carter, the second book in the Pierre & Paul series, uses simple phrases and clues in the illustrations to make the story accessible to readers in both languages. The Covid-19 pandemic, which seems to be taking some time to go away, has meant big changes for one little girl’s family in When Mom’s Away, (April), by Layla Ahmad and Farida Zaman. Outside, You Notice (April), by Erin Alladin, illustrated by Andrea Blinick, is a lyrical celebration of the outdoors pairing childlike observation with facts about the natural world. Maya’s imagination sets the stage for her friends to act out her feminist play. Can she make room in her queendom for the will of the people? Maya's Big Scene (February), by Isabelle Arsenault, is a funny picture book about leadership and fair play for fans of King Baby and Olivia. And a young boy discovers strang …
Our Spring Preview continues with an amazing selection of new and forthcoming poetry.
The Montreal Prize Anthology 2020 (April), by Jordan Abel, Kaveh Akbar and Wendy Cope, explodes with talent, combining radiant vision with striking invention in form. Andrea Actis's Grey All Over (April) not only celebrates a rare, close, complicated father-daughter bond, it also boldly expands the empathetic and critical capacities of poetry itself. Make the World New (April) brings together in a single volume some of the highlights of work by Lillian Allen, one of the leading creative Black feminist voices in Canada, and is the first book of her poems to be published in over 20 years. Selina Boan’s debut poetry collection, Undoing Hours (March), considers the various ways we undo, inherit, reclaim and (re)learn. And Shane Book, the author of the acclaimed 2014 collection Congotronic, returns with All Black Everything (June), a collection of urgent, forceful, and energetic new poems.
Set in a small-town, sub-Arctic dive bar, Tara Borin’s debut collection The …
Life stories, family, baseball, and retreat. These highlight the nonfiction we're most looking forward to this spring,
Her Name Was Margaret (February), by Denise Davy
About the book: Margaret Jacobson was a sweet-natured young girl who played the accordion and had dreams of becoming a teacher until she had a psychotic break in her teens, which sent her down a much darker path. Her Name Was Margaret traces Margaret's life from her childhood to her death as a homeless woman on the streets of Hamilton, Ontario. With meticulous research and deep compassion author Denise Davy analyzed over 800 pages of medical records and conducted interviews with Margaret's friends and family, as well as those who worked in psychiatric care, to create this compelling portrait of a woman abandoned by society.
Through the revolving door of psychiatric admissions to discharges to rundown boarding homes, Davy shows us the grim impact of deinstutionalization: patients spiralled inexorably toward homelessness and death as psychiatric beds were closed and patients were left to fend for themselves on the streets of cities across North America. Today there are more 235,000 people in Canada who are counted among the homeless annually and 35,000 who are homeless on any given night. Most of t …
Our Spring Preview begins with the fiction you're going to be falling in love with in 2021.
Caught between cultures and identities, immigrant families from a Bengali neighbourhood in Toronto strive to navigate their home, relationships, and happiness in Silmy Abdullah’s debut, Home of the Floating Lily (June). Pyromaniacs, vigilantes, mysterious phenomena, prehistoric beasts, cryptid species, grave robbers and ghosts... the stories of Nathan Adler's Ghost Lake (December) feature a cast of interrelated characters and their brushes with the supernatural, creatures of Ojibwe cosmology, the Spirit World, and with monsters, both human and otherwise. Four writers and four different perspectives on the problematic notion of purity in Disintegration in Four Parts (June), a collection of novellas by Jean-Marc Ah-Sen, Emily Anglin, Devon Code, and Lee Henderson. And Sergeant Roxanne Calloway of the RCMP finds herself investigating the death of the Artistic Director of a prairie theatre company about to put on Macbeth (of course!) in And Then is Heart No More (April), by Raye Anderson.
New books for young readers...and readers of all ages!
Told in rhyming verse, The Old Man and the Penguin (October), by Julie Abery and illustrated by Pierre Pratt, is the touching true story of an oil-soaked penguin, the man who rescues him and an unlikely friendship. Cakes, cookies or pie? A rivalry among local bakers is the basis for the deliciously sweet, off-the-wall picture book It Happened On Sweet Street (July), by Caroline Adderson, illustrated by Stephane Jorisch. Bed has something to say. Bed knows you do not like bedtime. Bed gets it. But look ... YOU are not so great, either: Monica Arnaldo provides the other side of the story in Time for Bed's Story (September). And a young girl discovers nature’s surprising beauty in The Most Amazing Bird (November), from renowned Inuit storyteller Michael Arvaarluk Kusugak, illustrated by Andrew Qappik.
Two popular storybook titans, princesses and dinosaurs, battle to determine who should star in Linda Bailey's new laugh-out-loud picture book, Princesses Versus Dinosaurs (September), …
Our Fall Preview continues with poetry, with an intriguing selection of debuts, selected/collected works, and other excellent new releases.
(Re)Generation (January) contains selected poetry by Anishinaabe writer Kateri Akiwenzie-Damm that deals with a range of issues: from violence against Indigenous women and lands to Indigenous erotica and the joyous intimate encounters between bodies. Susan Alexander’s Nothing You Can Carry (September) is rooted in a keen, even holy, sense of place within the natural world. Text Messages (September) is the first multi-genre collection by Montreal-based Iraqi hip-hop artist, activist, and professor Yassin “Narcy” Alsalman. And Dearly (November) is Margaret Atwood’s first collection in over a decade, bringing together many of her most recognizable and celebrated themes, but distilled.
The concerns of Swivelmount (September)—the collapse of subject and world, eros and law, knowledge and bafflement—gain new urgency as Ken Babstock fiercely reimagines and reassembles the remnants into a viable order. A b …