It is because truth is stranger than fiction that it turns out Avis Dolphin was the name of an actual person before she was the subject of Frieda Wishinksy's latest book. Avis Dolphin is her story, about a young girl's journey from Canada to England on the ill-fated Lusitania during WW1. Avis is lonely and afraid until she meets a kindly professor whose stories of a magical island help her face an uncertain future. And when the Lusitania is attacked, Avis must draw on all her newfound strength to cope with the confusion, terror, and despair.
How can she survive the sudden devastation of the ship? Will the people she cares about, especially the professor, live through the horror and danger? Wishinsky's story is complemented by the art of Willow Dawson, graphic novel illustrations depicting the stories the Professor tells to Avis.
In this guest post, Frieda Wishinsky explains how she learned about making stories from history come to life.
I "found" Avis Dolphin while researching shipwrecks for a non-fiction book. As soon as I read about this 12-year-old who survived the torpedoing of the ocean liner Lusitania on May 7, 1915, I was intrigued. Her story was even more engaging than her name but I had many questions that the facts and official accounts didn’t an …
On Thursday, the Canadian Children's Book Centre Awards will be presented in Toronto. We asked the nominees to tell us about the seeds of their stories, the places from which their inspiration grew. Here are some of their responses. Part Two appears tomorrow. (Update: you can find it here!)
Graffiti Knight, by Karen Bass
Nominated for the Geoffrey Bilson Award for Historical Fiction for Young People
"Graffiti Knight started over a cup of coffee. I had driven out to a friend’s farm for a visit, and we were discussing the progress of the novel I was currently revising. Talking about a young adult novel must have triggered the thought, because my friend mentioned that her father had been a teenager in Leipzig, Germany, during and after World War II. The conversation veered to other things. I knew that Leipzig had been in what was called the Soviet Zone, and over the following year, the idea took root that a teenager in post-WWII Leipzig could make a great YA story. When my friend’s father agreed to let me interview him, the story took off."