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Seeds of a Story 2019: Part 2

Here's Part 2 of the Seeds of a Story series, which tells you the stories behind the stories nominated for the CCBC Book Awards, which were handed out in Toronto this week. Check out Seeds of a Story Part 1 here, and also the list of award winners. Congratulations to everybody involved!

And now read on to discover which books were inspired by history, by questions, by rap lyrics, by beach glass, true crime podcasts, and more! 


Wolfe in Shepherd's Clothing, by Counio and Gane

Nominated for the John Spray Mystery Award

The killer is often the starting point for our murder mysteries: we ask ourselves who they are, who they kill, and why. But we also build on what’s come before, seeking variation in motives, methods and victims from book to book. In Wolfe in Shepherd’s Clothing, the third book of the Shepherd & Wolfe mysteries, we knew we needed a brutal “bad guy,” one far more dangerous than anyone our boys had yet encountered.

Our concept of the killer evolved during the outlining and writing process. When we started writing the third book, we decided the villain would be someone hiding their identity, swooping in from another country to make their kills. When we shared this concept with our publisher, she made a suggestion that reshaped the entire plan, an …

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Seeds of a Story 2019: Part 1

This week, the CCBC Book Awards, celebrating the best of children's literature in Canada, will be presented in Toronto. We asked the nominees to tell us about the seeds of their stories, the places from which their inspiration grew. Here are some of their responses. Part Two appears later this week.

Read on to discover what books were inspired by an East German museum, the song "What a Fool Believes," two vibrant communities on opposite coasts, and one writer's son's important question. 


Aftermath, by Kelley Armstrong

Nominated for the Amy Mathers Teen Book Award and the John Spray Mystery Award

The “aftermath” in the title is the aftermath of a school shooting and how it affected both the sister of a shooter and the brother of a victim. The story seed came from an article about the online and real-life harassment a sibling’s shooter endured. I knew parents of shooters received intense scrutiny and negative attention—I’d recently listened to an interview with one parent—but the sibling relationship was an angle I hadn’t considered. I was extremely wary of using an actual shooting in a thriller, but dealing only with the aftermath seemed like a good way to tackle a sensitive subject, and my editors agreed. 

It takes over two years for my books to go …

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