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Aimee Wall on The Great Canadian Abortion Novel

Book Cover We Jane

We, Jane is the debut novel from Aimee Wall, a writer and translator from Newfoundland who now lives in Montreal. In the novel she tells the story of a young woman who, inspired by "the Jane Collective" that helped women find abortion access in 1960s' Chicago, returns to rural Newfoundland with the intention of being part of a similar movement.

Aimee Wall spoke to us about abortion activism, the narrative challenges of writing abortion, how being a translator influences her writing, and more!

ENTER TO WIN A COPY OF WE, JANE ON OUR GIVEAWAYS PAGE!

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49th Shelf: A part of We, Jane that fascinated me, and which I could relate to so personally, was Marthe’s yearning to be part of a larger story, in particular in regard to her own abortion and the story of abortion in general. “She went looking for a fleet,” you write. Can you talk more about that impulse?

Aimee Wall: Something I was struck by when I was first reading about the Jane collective in Chicago was that some of the women in the group joined after having an abortion through the service. A lot of them weren’t coming from any kind of activist background, they were ordinary women who were kind of radicalized by this experience, and empowered in a new way, and it’s like they wanted to turn that feeli …

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Launchpad: YOU ARE EATING AN ORANGE. YOU ARE NAKED. by Sheung-King

Book Cover Launchpad Logo

Last spring—as launches, festivals and other events were cancelled across the country—49th Shelf helped Canadian authors launch more than 50 new books with LAUNCHPAD. And now we're back this fall, but with a twist.

LAUNCHPAD 2.0 features new releases selected by great Canadian writers who've chosen books that absolutely deserve to find their way into the hands of readers.

Today Thea Lim, author of An Ocean of Minutes, recommends the debut novel by Sheung-King. "You are Eating an Orange. You are Naked. is a tale of two rich and rootless people that oozes the horror and confusion of love, while staying somehow still desperately romantic, and so gloriously sad. This novel is also about something else: it gives the cold shoulder to the dominant gaze and its demands to control the Asian body, carving out a thrilling space beyond whiteness. I didn't want it to end."

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49th Shelf: What particular something have you managed to achieve with this book that you're especially proud of?

Sheung-King: You are Eating an Orange. You are Naked. is not an immigra …

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