Writing in Atlantic Books Today, Chris Benjamin says “Huebert is a gifted short story writer. His characters do contain multitudes, each story a set of worlds. Collectively, they reflect our times, and help us contemplate the most dire of threats to our singular habitable planet.”
David Huebert’s writing has won the CBC Short Story Prize, The Walrus Poetry Prize, and was a finalist for the 2020 Journey Prize. David’s fiction debut, Peninsula Sinking, won a Dartmouth Book Award, was shortlisted for the Alistair MacLeod Short Fiction Prize, and was runner-up for the Danuta Gleed Literary Award. David’s work has been published in magazines such as The Walrus, Maisonneuve, enRoute, and Canadian Notes & Queries, and anthologized in Best Canadian Stories and The Journey Prize Stories. David teaches at The University of King’s College in K’jipuktuk/Halifax, where he lives and writes.
Trevor Corkum: Chemical Valley is your sophomore collection of short fiction, coming on the heels of your award-winning debut, Peninsula Sinking. What were you ho …
Language as the mother of bond and breach is beautifully storied in Sadiqa de Meijer’s poignant and provocative memoir, alfabet/alphabet. This is a book that dreams of transforming migration, citizenship, families, nationhood and the very utterances upon which each is built. A deeply hopeful narrative about language itself, a singular exploration of the way that words build a home. – 2021 Peer Assessment Committee
Sadiqa de Meijer is the author of the poetry collections Leaving Howe Island and The Outer Wards. Her work has won the CBC Poetry Prize and Arc’s Poem of the Year Contest, and was a finalist for the Governor General’s Literary Award and the Pat Lowther Memorial Award. She lives with her family in Kingston, Ontario.
Congrats on your Governor General’s Award, Sadiqa. The book explores your transition from speaking Dutch to English. Why was it important for you to explore this terrain?
Thank you! After my first book of poems, I started asking myself what it meant for me to write in English, and the answers turned out to go far deeper than I’d imagined. Until then, my languages existed within me in a togetherness that I took for granted; writing alfabet/alphabet was the process of bringing their overlap and borders into consciousness.
“With its muted palette and gentle text, On the Trapline is quietly profound. Robertson’s reflective storytelling coupled with Flett’s masterpiece illustrations make this picture book a must-read about the connection to language, family, the land and tradition.” – 2021 Peer Assessment Committee
David A. Robertson is the author of numerous books for young readers, including When We Were Alone (illustrated by Julie Flett), which won the 2017 Governor General’s Literary Award and was nominated for the TD Canadian Children's Literature Award. Strangers, the first book in his Reckoner trilogy, a young adult supernatural mystery, won the 2018 Michael Van Rooy Award for Genre Fiction. He is also the author of The Barren Grounds and The Great Bear, two books in a middle-grade fantasy series called The Misewa Saga. The Barren Grounds was a Kirkus and Quill & Quire best middle-grade book of 2020, as well as a USBBY and Texas Lone Star selection, and was shortlisted for the Silver Birch Fiction Award and the TD Canadian Children’s Literature Award. A sought-after speaker and educator, Dave is a member of the Norway House Cree Nation and currently lives in Winnipeg.
"Tainna: The Unseen Ones is an explosive force of sadness, anger, humour and beauty, full of moments that surprise and pummel and still provide hope. This collection is both vivid and raw but infused with a sparkling poetry and the wisdom of the old ways. Like the spirits Norma Dunning describes in these stunning and original stories, this is a book that will never leave you.” – 2021 Peer Assessment Committee
Dr. Norma Dunning is a writer as well as a scholar, researcher, professor, and grandmother. Her first book, the short story collection, Annie Muktuk and Other Stories (University of Alberta Press, 2017), received the Danuta Gleed Literary Award, the Howard O’Hagan Award for Short Story and the Bronze for short stories in the Foreword INDIES Book of the Year Awards. She is also the author of the bestselling poetry collection, Eskimo Pie (Bookland Press, 2020). She lives in Edmonton, AB.
Tainna: The Unseen Ones is a collection of stories featuring a range of Inuk characters who “meet the prejudice, misogyny and inequity of the Canadian South with humour and tenacity.” Tell us more about how the collection and how it came together.
This collection was written in opposition to Annie Muktuk and Other Stories, in that, it was intentional to have modern-da …
“With poetic prose, a memorable character and evocative settings, Philippa Dowding deftly handles challenging subjects in this emotionally honest story. Supported by a unique cast of characters, Firefly will shine for readers and resonate long after they close this quietly powerful book.” – 2021 Peer Assessment Committee
Philippa Dowding is a children’s author, poet, musician and copywriter. She has won many industry awards and has had poetry and short fiction published in journals across North America. Her children’s books have been nominated for numerous literary awards in Canada and abroad, including the SYRCA Diamond Willow, OLA Silver Birch, OLA Red Maple, Hackmatack and White Raven awards. In 2017, Myles and the Monster Outside was an OLA Silver Birch Express Honour Book and her 2021 novel, Firefly, won a Governor General’s Literary Award in the Children’s Literature – Text category. Philippa Dowding currently lives in Toronto, Ontario.
Congrats on your GGs Award, Philippa! How does it feel to be recognized in this way by your p …
"Tolu Oloruntoba’s voice in The Junta of Happenstance is at once thoughtful and authoritative, metaphorically rich and lyrically surprising. Oloruntoba’s language travels through history and myth to speak to today and engage with a future transformed by new understanding. The combination of craft and spirit cuts a fine place for this debut work, expanding our literary view."—2021 Peer Assessment Committee
Tolu Oloruntoba spent his early career as a primary care physician. He currently manages virtual health projects, and has lived in Nigeria, the United States, and Canada. His poetry has been nominated for the Pushcart Prize, while his debut chapbook, Manubrium, was a bpNichol Chapbook Award finalist. The Junta of Happenstance is his first full-length collection of poetry. He lives in the metro area of Coast Salish lands known as Vancouver.
The Junta of Happenstance is your first full-length collection of poetry. How does it feel to be recognized with a Governor General’s Award at this early point in your career?
Thanks, Trevor. I suppose it is early in my career, since I hope to have a long one, but I have been writing poetry since 2001 (although I am glad all my earlier attempts to put out a full-length book failed, because I wasn’t ready). But to answer your question, and if I can be honest, it has been surreal and a little terrifying. Dionne Brand, Anne Carson, and so many other lights have won this award. I am not even slightly close to being credibly considered …
"Moure has crafted a spectacular English poem in conversation with the French—a work channelling science, art, revolution and corporeal movement balanced in stillness and space. It is a thrilling space where meanings are amplified, beauty reverberates and the reader’s expectations are exceeded again and again. Moure advances new possibilities for both Neveu’s poem and translation itself." —2021 GG's Peer Assessment Committee
Erín Moure has published over forty books, including poetry, essays, memoir, and translations/co-translations from French, Spanish, Galician, Portuguese, Portunhol, and Ukrainian. Recent translations: In Leaf by Rosalía de Castro, The Uplands: Book of the Courel by Uxío Novoneyra, and Sleepless Nights Under Capitalism by Juan Gelman. Moure holds two honorary doctorates from universities in Canada and Spain, was a 2017 Creative Fellow at Harvard’s Woodberry Poetry Room, and the 2019 International Translator-in-Residence at Queen’s College, Oxford. Moure lives in Montreal.
Congrats on your Governor General’s Award for Translation, Erín. You’ve had a long and distinguished career, publishing over forty books, including many translations and co-translations. How does it feel to be recognized by your peers at this point in your …
“Hannah Moscovitch’s play is an articulate, poetic, beautifully written play with characters who are complex and complicated. A superb piece of writing that shines as a play, as a living piece of theatre, and no doubt, literature that will endure. The committee could not be more thrilled to have chosen this winning play.”—2021 Peer Assessment Citation
Hannah Moscovitch is an acclaimed Canadian playwright, TV writer, and librettist whose work has been widely produced in Canada and around the world. Recent stage work includes Sexual Misconduct of the Middle Classes and Old Stock: A Refugee Love Story (co-created with Christian Barry and Ben Caplan). Hannah has been the recipient of numerous awards, including the Trillium Book Award, the Nova Scotia Masterworks Arts Award, the Scotsman Fringe First and the Herald Angel Awards at the Edinburgh Festival Fringe, and the prestigious Windham-Campbell Prize administered by Yale University. She has been nominated for the international Susan Smith Blackburn Prize, the Drama Desk Award, Canada’s Siminovitch Prize in Theatre, and the Governor General’s Literary Award. She is a playwright-in-residence at Tarragon Theatre in Toronto. She lives in Halifax.
Congrats on your Governor General’s Award, Hannah … among …
Praising the work, Griffin Poetry Prize winner Kaie Kellough says, “Umbilical Cord’s poems have a lucent quality and a supple rhythm that carries their tenderness to a reader. In an instant, the poems can become as raw, as immediate as touch. This work begins in heat and heartbeat, as a relationship and a family come into being, and it reflects the intimacies, anxieties, and devotions of love. At once personally revealing and focused outward on the challenges that queer families face, in Umbilical Cord love triumphs over intolerance, and the future, named “Malek,” is nurtured by two devoted fathers.”
Hasan Namir is an Iraqi-Canadian author. He graduated from Simon Fraser University with a BA in English and received the Ying Chen Creative Writing Student Award. He is the author of God in Pink (2015), which won the Lambda Literary Award for Best Gay Fiction and was chosen as one of the Top 100 Books of 2015 by The Globe and Mail. His work has also been in media across Canada. He is also the author of the poetry book War/Torn (2019, Book*hug Press) which received the 2020 Barbara Gittings Honor Book Award from the Stonewall Book Awards, and children’s book The Name I Call Myself (2020). Hasan lives in Vancouver with his husband and child.
Trevor Corkum …
According to the Giller Prize jury, “Menopausal gods, procreating droids and boys born as foxes are only a modest few of the glorious frazzled beings that populate Angelique Lalonde’s astonishing story collection. Many of the ever-present concerns of the contemporary world—ecology, capital, conservation, gender fluidity, addiction, inequality, indigenous displacement, and the eternal limits of human perspective—find in Lalonde a beguiling literary voice equal to the age, pushing not only at the boundaries of literature but at those of articulation and being. Lalonde gravitates here to the fable and the fairy tale, familiar and estranging in equal measure, to claw at the divide between our world and others—the animal, the alien—while inevitably falling back on, and forgiving, the ever-flawed human being.”
ANGÉLIQUE LALONDE was the recipient of the 2019 Journey Prize, has been nominated for a National Magazine Award, and was awarded an Emerging Writer’s residency at the Banff Centre. Her work has been published in numerous journals and magazines. She holds a PhD in Anthropology from the University of Victoria. Lalonde is the second-eldest of four daughters. She dwells on Gitxsan Territory in Northern British Columbia with her partner, two small chil …
The Giller Prize jury states, “It is a delightful gift to find a book you feel fortunate to have read, akin to discovering a treasure. That is the case with The Son of the House. The novel explores issues of patriarchy and classism, themes of friendship and loss through the lenses of two very different yet unexpectedly connected women in Nigeria. Cheluchi Onyemelukwe-Onuobia writes a modern novel with fairytale elements and prose that punches you in the gut, leaving you wonderfully stunned by the time the book is finished.”
Cheluchi Onyemelukwe-Onuobia is a lawyer, academic, and writer. She holds a doctorate in law from Dalhousie University and works in the areas of health, gender, and violence against women and children. Cheluchi divides her time between Lagos and Halifax.
What was the first thing you did when you found out you were a finalist for this year’s Giller Prize?
After I had been overcome, blown over, and it had begun to sink a bit, I tried to go back to work, to an assignment I had been working on. But I found I couldn’t focus, so I gave myself permission to take the rest of the day off, not a very usual occurrence!
The Son of the House tells the stor …
The Giller Prize jury writes, “Amid all the anger and confusion surrounding the global refugee crisis, Omar El Akkad’s What Strange Paradise paints a portrait of displacement and belonging that is at once unflinching and tender. In examining the confluence of war, migration and a sense of settlement, it raises questions of indifference and powerlessness and, ultimately, offers clues as to how we might reach out empathetically in a divided world.”
Omar El Akkad is an author and journalist. His debut novel, American War, was an international bestseller and has been translated into thirteen languages. It won the Pacific Northwest Booksellers Association Award, the Oregon Book Award for fiction, and the Kobo Emerging Writer Prize. He lives in Portland, Oregon.
What was the first thing you did when you found out you were a finalist for this year’s Giller Prize?
I know this isn’t a particularly interesting answer, but I just sat there for a while, in my writing room, alone. I was cognizant that I may never experience a moment like this again in my career, and I wanted to stay in it a while. Then the phone started beeping with all kinds of notifications, and it was back to the real world.