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The Chat: 2019 Griffin Poetry Prize Roundtable

We’re thrilled to once again work in partnership with our friends at the Griffin Poetry Prize to bring you a special roundtable edition of The Chat with all three 2019 Canadian Griffin Prize finalists.

Dionne Brand is a finalist for The Blue Clerk (McClelland & Stewart). The jury citation reads: “Dionne Brand’s The Blue Clerk is many things at once: a book-length ars poetica; an act of memo

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ry and reconfiguration; an extended meditation (one that moves at times directly, at others by a kind of philosophical osmosis) touching on the realms of history, politics, race and gender; an internal, consciously curated and interrogated dialogue that manages to create a space for all of these. Expansive, beautifully written, structurally compelling, and above all moving, The Blue Clerk is a book to be read (and re-read), not just for the pleasures of its language, but for the breadth of its vision, and the capaciousness of its thinking.” 

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Eve Joseph’s collection Quarrels (Anvil) is also a finalist. The jury citation reads: “In Quarrels, Eve Joseph’s …

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The Recommend: November 2014

Most of the books we read are the result of one thing: someone we know, trust, and/or admire tells us it's great. That's why we run this series, The Recommend, where readers, writers, reviewers, bloggers, and others tell us about a book they'd recommend to a good friend ... and why.

This week we're pleased to present the picks of author and magazine editor Gary Stephen Ross (Stung); YA author and Penguin Canada marketing and publicity manager, Vikki VanSickle (Summer Days, Starry Nights); 2014 Governor General's Poetry Award finalist Garth Martens (Prologue for the Age of Consequence); playwright, novelist, and actor Sean Dixon (A God in Need of Help); and author and former president of Canada's national association of science fiction and fantasy authors, Steve Stanton (The Bloodlight Chronicles).

Gary Stephen Ross picks David Macfarlane’s The Danger Tree

“A quarter-century ago, I was lucky to be the editor of David Macfarlane’s The Danger Tree, a book that was one of the first our company* published. As I worked on it, I wondered whether that fact was warping my judgment; whether, because I so hoped it would be brilliant, I was seeing brilliance in the merely competent. But how to explain the tears that welled up as I made my way through the manuscript?—tea …

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