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On Our Radar

"On Our Radar" is a 49th Shelf series featuring books with buzz worth sharing. We bring you links to features and reviews about great new books in a multitude of genres from all around the Internet and elsewhere. 

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Paper Teeth, by Lauralynn Chow

Reviewed by Melwyk at The Industrious Reader:

"I found it really absorbing reading; Chow has a unique story to tell, even with the reliance on the kind of family stories we might expect to see in short fiction. Her characters develop more complexity as you read, and see them in different situations and at different ages.

Her narrative style is also quite fascinating—she has a habit of adding in parenthetical afterthoughts or commentary, often ironic and/or funny, often a judgement made by an older narrator/writer. It's very entertaining, and I found that particular habit intriguing. I really liked this book. There was good writing and lots of great imagery, as well as things happening—not just vague or open ended stories about emotional exploration of the self."

Read the whole review here

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Journey Through …

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The Recommend: April 2018

Research shows that most of the books we read are the result of one thing: someone we know, trust, and/or admire tells us it's great. That's why we run this series, The Recommend, where writers, reviewers, bloggers, and others tell us about a book they'd recommend to a good friend ... and why.

This month we're pleased to present the picks of Shawna Lemay (The Flower Can Always Be Changing), Andrew Battershill (Marry, Bang, Kill), Claudia Dey (Heartbreaker), Elinor Florence (Wildwood), and Sarah Henstra (The Red Word).

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Shawna Lemay picks Nicole Brossard’s Yesterday, at the Hotel Clarendon

It’s difficult to say precisely how well known an author is but it seems fair to say that Nicole Brossard should be much more appreciated. Yesterday, at the Hotel Clarendon is virtuosic, a work of art, in the way that Virginia Woolf’s books are art. Two women meet at a hotel bar every night and talk. One of the women is trying to finish her novel, and the other catalogues artefacts at a museum. They enter into a dialogue that is both shifting and solid, detached and intensely engaged. One of the characters asks, “What is the value of a question in a dialogue? How important are the answers?”

The shape and the construction of the book is something Woolf surely would have ap …

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