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The Good Body, by Bill Gaston

Genre: Fiction

Publisher: House of Anansi Press

What It's About

The Good Body is a triumphant blend of mordant humour and heartbreak. It tells the comic and poignant story of a retired pro-hockey ruffian named Bobby Bonaduce who is stubbornly ignoring a disease—multiple sclerosis—that may be killing him. Bobby returns to his hometown and scams his way into university in a misguided attempt to redeem his messy past and lay emotional claim to a son he abandoned twenty years earlier.

With this terrific novel [said the 2008 Giller Prize jury] "Bill Gaston demonstrates yet again that he is a writer of great empathy, capable it seems of getting beneath the skin of anybody."

What People Say

"There’s some good writing about a Bob Dylan concert, but the author is at his best here when describing the game, 'the body seen as pure desire, the puck a chunk of dumb rubber the perfect symbol of worthlessness … so abstract, so pure in its meaninglessness it is almost Japanese.'
Gaston’s got the goods and he’s been there: you can’t imagine something as real as this."—Quill and Quire


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The Recommend: September 2016

Research shows that most of the books we read are the result of one thing: someone we know, trust, and/or admire tells us it's great. That's why we run this series, The Recommend, where readers, writers, reviewers, bloggers, and others tell us about a book they'd recommend to a good friend ... and why.

This month we're pleased to present the picks of authors Caroline Adderson (Ellen in Pieces), Kate Taylor (Serial Monogamy), Edeet Ravel (The Saver), Anna Leventhal (Sweet Affliction), and Shari Lapeña (The Couple Next Door).


Caroline Adderson recommends Kerry Lee Powell’s Willem de Kooning’s Paintbrush

Set in grody strip clubs and greasy spoons, peopled with “tramps and lunatics,” “an assortment of creeps and lowlifes with bad breath,” battered girlfriends, and Soviet-scarred chamber maids, this energetic collection presents a “raw humanity defiantly festive in the face of poverty and despair.” Powell, also a poet, is a painterly prose writer, not just in her many references to visual art, but her gorgeous images. One character lives alone in a sagging house “surrounded by the upturned scarabs of old snowmobiles.” A husband lurking in a dark corner is “filleted by shadows from the Venetian blinds.” But what makes this book so striking i …

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