We do so love the idea of a zoologist sleuth that we included Suzanne F. Kingsmill's Cordi O'Callaghan on our Canadian literary sleuth list last December. And O'Callaghan is back in a new installment, Dying for Murder, in which her attempt at a relaxing getaway to a research station off the coast of South Carolina leads her into another scene of death and chaos, presenting new mysteries to be solved. It seems that murder and relaxation do not go hand-in-hand.
Or do they?
In this guest post, Kingsmill fills us in on the merits of relaxing with a good thriller.
No murder mystery writer would ever dream of lulling their readers into a total sense of relaxation, or—horrors!—putting them to sleep. Tension, exhilaration, and suspense are the hallmarks of a good mystery. The idea of “relaxing with a good book” is a well-worn one, but a bit of a misnomer for a mystery, where tension should be running high, the reader on the edge of her seat. And then the author does a slam-dunk, ending each chapter with a cliffhanger, so that you definitely can’t turn off the light and go to sleep, even though it’s 2 a.m.
In a good mystery, the reader’s mind is working overtime, matching wits with the author’s, processing the clues, trying to foresee the future and g …